黄秋园山水绘画艺术风格研究

发布时间：2018-04-19 10:45

本文选题：黄秋园 + 山水画　；参考：《河北大学》2014年硕士论文

【摘要】：黄秋园是20世纪中国画坛一位借古以开今的大家，虽然是一位业余画家，却在绘画艺术上有着很深的造诣，尤其是山水绘画艺术。他凭借自己深厚的传统绘画功底，用点线结合的独特的艺术语言和晚年变法创新的“熔岩皴”，突破王蒙传统的密体山水，创造出了既有传统根基又富现代气息的密体山水新风貌。该文首先概述了黄秋园山水画整体的艺术风格；其次，，从家庭的影响、客观境遇、独特的个性三个方面研究黄秋园艺术风格形成的原由，并对其山水画艺术风格形成的历程从早期师承传统、中年师造化、晚年变法创新三个不同的阶段进行阐释；最后，重点对山水绘画艺术的章法、皴法和笔墨结合其作品进行了具体分析，从而得出其山水画的两种风貌：一种是画风流畅，笔路轻快，尚有明显石涛影响的；另一种则是画幅较大，风格苍郁、浑浑厚厚，笔墨浓密的。
[Abstract]:Huang Qiuyuan is one of the people in the Chinese painting circle in the 20th century. Although he is an amateur painter, he has deep attainments in painting art, especially in landscape painting.With his deep skills in traditional painting, his unique artistic language combined with dots and lines and his innovative "lava chapping" in his later years, he broke through Wang Meng's traditional dense landscape.Has created both the tradition foundation and the rich modern breath dense body landscape new style.This paper first summarizes the overall artistic style of Huangqiuyuan landscape painting; secondly, studies the reasons for the formation of Huangqiuyuan art style from three aspects: family influence, objective circumstances and unique personality.And the formation of its landscape painting art style from the early tradition, middle age division innovation, innovation in the late years of three different stages; finally, the focus on landscape painting art,The chapping method and the brush and ink combination of his works are analyzed concretely, so that the two styles of his landscape paintings are obtained: one is that the painting style is smooth, the road is brushy, and the influence of Shi Tao is obvious; the other is that the painting is larger in size, and its style is dark and thick, so that it is thick and thick.The pen and ink are thick.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

【参考文献】