“炼雪斋中弟继兄”——清代词臣画家之父子、兄弟相承

发布时间：2018-04-19 16:50

本文选题：清代词 + 张若澄　；参考：《艺术工作》2017年05期

【摘要】：正绘画以技艺形式在家族中代代相传,是常见的画史现象,明清尤不乏典型。清代词臣画家中同样有父子、兄弟相继,例如蒋廷锡(1669-1732)与蒋溥(1708-1761)、董邦达(1696-1769)与董诰(1740-1818)、张若霭(1713-1746)与张若澄(1721-1770)。绘画和诗文、经术一样有所谓"家学"。这与明清社会文人士大夫的整体地位相关。科举带来的不仅是仕宦,某种程度上,无形的文化影响力更具分量。词臣画家父子、兄弟相继,离不开此大背景,而又有特别处。本文围绕这一现象,展开对于
[Abstract]:The painting is passed down from generation to generation in the form of art, which is a common phenomenon in painting history, especially in Ming and Qing dynasties.Among the painters of the Qing pronoun, there were father and son, brothers, such as Jiang Tingxi (1669-1732) and Jiang Pu (1708-1761), Dong Bangda (1696-1769) and Dong Jiao 1740-1818, Zhang Ruo-mai 1713-1746) and Zhang Ruocheng 1721-1770.Painting and poetry, as well as the art of the so-called "home learning."This is related to the overall status of literati and officials in the Ming and Qing dynasties.The imperial examination not only brought officials, to some extent, intangible cultural influence more weight.Ci-Chen painter father-son, brother in succession, inseparable from this background, and have a special place.This paper focuses on this phenomenon.
【分类号】：J212

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