中国传统哲学“天人合一”观念在山水画中的艺术呈现

发布时间：2018-04-20 00:09

本文选题：天人合一 + 山水画　；参考：《山东理工大学》2014年硕士论文

【摘要】：“天人合一”是中国传统哲学的根本观念之一,这一观念由庄子最早阐述，后来被汉代思想家董仲舒发展为天人合一的哲学思想体系，并以此为基础建立了中华传统文化的主体。“天人合一”观念指明了人与自然的辩证统一关系，，是一种和谐共生共存的关系。“天人合一”观念对中国传统艺术的深刻影响在绘画领域表现得最为明显。尤其中国传统山水画追求的是天地之大美，着力表现天地万物的生机活力和一草一木、一山一水的生命情调，表现一种宇宙的生命精神。因此，艺术家在作品中所倾注的创作热情也必然融合着天地之气，神灵之魂，必然具有超越自我的精神品格。在这一观念的影响下，中国传统山水画更重视人的主体意识，倡导主客体的高度融合，使绘画超越了对客观物象表层的描绘，从而显示主体内在的精神，追求意境的幽远。本论文主要从山水画的表现手法、意境等方面对“天人合一”观念在山水画中的艺术呈现进行研究。“天人合一”观念与中国传统山水画的创作和“天人合一”观念在当代山水画中的体现是本论文的重点，文中还结合古代和当代的山水画作品研究“天人合一”观念的具体体现。通过对作品的分析本论文得出以下结论:“天人合一”的审美思想引导了中国传统绘画的艺术走向，并逐渐形成了自己的文脉。中国传统山水画的发展也正是沿着这条文脉延伸、发展和创新着。因此，继承和发扬“天人合一”观念，对于推动今后中国山水画的发展，也具有重要的现实意义。
[Abstract]:"Harmony of Heaven and Man" is one of the fundamental concepts of Chinese traditional philosophy, which was first expounded by Zhuangzi, and later developed by the thinker Dong Zhongshu of the Han Dynasty into a philosophical system of the unity of nature and man. And on this basis, established the main body of Chinese traditional culture. The concept of "the unity of nature and man" indicates the dialectical and unified relationship between man and nature, which is a harmonious and symbiotic relationship. The profound influence of the concept of "harmony of man and nature" on Chinese traditional art is most obvious in the field of painting. Chinese traditional landscape painting, in particular, pursues the beauty of heaven and earth, exerting itself to express the vitality of the universe and the life sentiment of a plant, a mountain and a water, and to express the life spirit of the universe. Therefore, the creative enthusiasm of the artist in his works is bound to blend the spirit of heaven and earth, the soul of the spirit, and the spirit of transcending himself. Under the influence of this idea, Chinese traditional landscape painting pays more attention to the subject consciousness of people, advocates the high fusion of subject and object, makes the painting beyond the description of the surface of the objective object image, thus showing the inner spirit of the subject and pursuing the secluded distance of the artistic conception. This paper mainly studies the artistic presentation of the concept of "the unity of nature and man" in landscape painting from the aspects of expression technique and artistic conception of landscape painting. The emphasis of this paper is the combination of nature and man, the creation of traditional Chinese landscape painting and the embodiment of the concept of "harmony of nature and man" in contemporary landscape painting. The paper also combines ancient and contemporary landscape paintings to study the concrete embodiment of the concept of the unity of nature and man. Through the analysis of the works, this paper draws the following conclusions: the aesthetic thought of "the unity of nature and man" has guided the art trend of Chinese traditional painting, and gradually formed its own context. The development of Chinese traditional landscape painting is extending, developing and innovating along this context. Therefore, to inherit and carry forward the concept of "harmony of nature and man" is of great practical significance to promote the development of Chinese landscape painting in the future.
【学位授予单位】：山东理工大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

【参考文献】