材料因素对传统重彩山水画发展的影响分析

发布时间：2018-04-26 21:37

本文选题：传统重彩山水画 + 材料因素　；参考：《扬州大学》2013年硕士论文

【摘要】：我国的山水画自诞生起就以再现自然的重彩形式展现在世人面前,原始时期的绘画艺术中重彩就开始了有了萌芽,魏晋时期初步形成,但大多作为画面背景出现。繁荣于隋唐时期,南宋再度形成高峰。在唐代中期虽然出现了王维、张藻等人的水墨山水画,但是依然保持着色墨并重的局面,五代以后,随着水墨山水画的兴起,重彩山水画被人们慢慢冷落甚至淡忘,对色彩的感情也逐步淡漠了。宋元以后,传统重彩山受水墨因素的影响更加明显,演变成小青绿山水样式,画面也更加重视笔墨,忽视色彩。就这样水墨画慢慢的占据了画坛的主要地位,而重彩山水画却在历史的演变中逐渐衰落和转化,这不得不让人为之惋惜。那么,促进这古老的重彩山水画,在历史的演变中走向衰落的另一重要因素是什么呢?笔者在研究其因水墨山水画的发展而衰退的主要原因之外,认为重彩山水画材料因素也是一个不可忽视的主要原因。重彩山水画材料因素是影响其发展的因素之一,随着时代的发展,重彩山水画所用的材料不能满足人们审美的需要,问题和矛盾也日益显现出来。那么材料因素是如何影响我国传统重彩山水画发展的呢?因此,本文将重彩山水画的材料因素作为主要研究内容,目的在于,使其能够更加完整细致的展现重彩山水画走向衰落的过程,从而更深刻的了解和掌握材料因素对重彩山水画发展的影响。文章在论述中共分为四部分：第一部分,从颜料的角度来讲,重彩画颜料是绘画的关键,而重彩颜料的制作与应用,又限制了重彩画的发展。文章主要从颜料本身制作工艺和绘制工艺的复杂性着手,详细论述颜料因素对重彩山水画发展的影响。第二部分,从绘画基底材料的角度来讲,分别从绢、纸的制作工艺和绘制工艺的复杂性来以及墙面的因素入手,阐述基底材料的局限性与重彩山水画演变的关系。绘画作品是凭借绘画基底而存在的,不同的画底有不同的表现效果,画家们为了表达他们的艺术观点,不得不选用适宜的画底来绘制。所以说绘画基底材料关系到绘画技法的选择,继而关系到该绘画种类的存亡。第三部分,主要探讨调色剂和黏合剂的单一性,对传统重彩山水画发展的影响,分析水、胶的使用方法的复杂性与重彩山水画发展的关系。第四部分,分析重彩山水画装裱工艺和传统书画的不易保存,而对传统重彩山水画发展的影响,很多作品由于装裱和保存的不当,会产生变色、虫蛀等问题,会不可避免的影响古代重彩山水画技术的承传。
[Abstract]:Chinese landscape painting has been displayed in front of the world in the form of reproduction of natural color since its birth. In the original period of the painting, the heavy color began to germinate, and the Wei and Jin Dynasties were initially formed, but most of them appeared as the background of the picture. In the Sui and Tang Dynasties, the Southern Song Dynasty reformed the peak again. Although Wang Wei and Zhang algae appeared in the middle of the Tang Dynasty People's ink and water landscape painting, but still maintain the situation of coloring ink and ink, after the five generation, with the rise of ink and water landscape painting, heavy landscape painting is slowly cold and even forgotten, and the feelings of color gradually fade away. After the song and Yuan Dynasty, the traditional heavy color mountain influenced by the ink and ink factors more obvious, evolved into small green landscape style, picture We also pay more attention to the ink and ink and ignore the color. So the ink painting gradually occupies the main position of the painting world, and the heavy landscape painting has gradually declined and transformed in the historical evolution, and it has to be regretted. Then, what is the other important factor to promote the ancient heavy landscape painting and the decline in the historical evolution? Apart from studying the main reasons for the decline of ink and wash landscape painting, it is considered that the main reason for the heavy colored landscape painting is also a material factor.
The material factor of heavy landscape painting is one of the factors that affect its development. With the development of the times, the materials used in the heavy landscape painting can not meet the needs of people's aesthetic, and the problems and contradictions are becoming increasingly apparent. Then how do the material factors affect the traditional heavy landscape painting development of our country? Therefore, this article will make the material of the heavy landscape painting. As the main research content, the purpose is to make it more complete and meticulous to show the decline process of heavy landscape painting, so as to understand and master the influence of material factors on the development of heavy landscape painting. The article is divided into four parts:
The first part, from the point of view of the pigment, the heavy color paint is the key to the painting, and the production and application of the heavy color pigment has limited the development of the heavy color painting. The article mainly discusses the influence of the pigment factors on the development of the heavy landscape painting from the process of making the pigment itself and the complexity of the painting process.
In the second part, from the point of view of the base material of the painting, from the process of making the silk, the paper and the complexity of the drawing process and the factors of the wall, the relationship between the limitation of the base material and the evolution of the heavy landscape painting is expounded. The paintings are based on the basement of the painting, and the different paintings have different performance effects. In order to express their artistic views, they have to choose the suitable bottom of the painting to draw. So the base material of the painting is related to the selection of painting techniques, and then the survival of the type of painting.
The third part mainly discusses the singleness of the toner and adhesive, the influence on the development of traditional heavy landscape painting, and analyses the relationship between the complexity of the use of water, the use of glue and the development of heavy landscape painting.
The fourth part, the analysis of heavy landscape painting mount technology and traditional calligraphy and painting is not easy to preserve, and the influence of traditional heavy landscape painting development, many works due to mounting and preservation of improper, will produce discoloration, worm moth and other problems, will inevitably affect the inheritance of ancient heavy landscape painting techniques.

【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【参考文献】