明代花鸟画理论基础研究

发布时间：2018-04-27 11:43

本文选题：明代 + 花鸟画　；参考：《湖北美术学院》2017年硕士论文

【摘要】：明代的绘画理论是很丰富的,其中涉及到花鸟画部分的内容也非常多。笔者做这篇文章的初衷,是想对明代花鸟画部分的理论资料进行整理,把诸多零碎的资料汇集起来,归纳起来,让使用的人对这些资料能够了然于目,方便以后的研究和精准查找。本文通过对明代花鸟画理论文本的研究,整理出一份目录,清楚地展现了本文要研究的文本对象。这样做一方面是为了强调这些理论在绘画发展中的重要性,另一方面也为了我们更好地理解和使用文本本身。笔者将研究对象从内容上加以区分并标注了内容标签,在正文中又对这些画论书目作了一些简单的说明,这些说明以明代的思想背景为主,希冀能较为完整地呈现明朝思想斗争外表下的艺术精神状态。宏观一点来看,中国画论的发展在传承的基础上,其实也不断会受到外界影响并同时影响外界的,从这个角度上来说,深入地、有指向性地研究和整理文本就变得更加重要。
[Abstract]:Ming Dynasty painting theory is very rich, which involves a lot of flowers and birds painting content. The original intention of the author of this article is to sort out the theoretical materials of the flower-and-bird painting part of the Ming Dynasty, to collect and sum up a lot of piecemeal materials, so that the people who use them can understand these materials at a glance. Convenient for future research and accurate search. Based on the study of the theoretical text of flower and bird painting in Ming Dynasty, this paper arranges a catalogue and clearly shows the text object to be studied in this paper. On the one hand, this is to emphasize the importance of these theories in the development of painting, on the other hand, to better understand and use the text itself. The author distinguishes the research object from the content and marks the content label, and makes some simple explanations to these descriptive bibliographies in the text, which are mainly based on the ideological background of the Ming Dynasty. It is hoped that the artistic spirit of the Ming Dynasty under the appearance of ideological struggle can be presented more completely. From a macro point of view, the development of Chinese painting theory on the basis of inheritance, in fact, will continue to be affected by the outside world and at the same time, from this perspective, in-depth, directed research and collation of the text becomes more important.
【学位授予单位】：湖北美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

【参考文献】