论新时期全国美展获奖作品的核心价值指向

发布时间：2018-04-27 13:58

  本文选题：新时期全国美展 + 获奖作品　； 参考：《郑州大学学报(哲学社会科学版)》2016年02期

【摘要】：新时期以来的历届全国美展获奖作品蕴含了不同的核心价值指向及发展趋势。第五届、第六届全国美展主要基于反思与前瞻;第七届、第八届全国美展追求多样化,特别是对现代主义有包容式的诉求;第九届至第十二届全国美展彰显写实的回归与中国气派的塑造。历届评奖的标准从"政治和艺术相结合"到"弘扬主旋律,提倡多样化",再到坚持"社会主义主流价值观"。新时期全国美展获奖作品的核心价值指向,是通过国家意志及相应制度的干预与导引,在充分尊重艺术家自主创作的基础上,发挥他们的创作热情,引导他们的创作方向,以达到提高艺术家的艺术创作更好地服务于民族文化复兴这一目标。
[Abstract]:The award-winning works of the National Art Exhibition since the new period contain different core values and development trends. The fifth, the sixth National Art Exhibition is mainly based on reflection and prospect, the seventh, the eighth National Art Exhibition pursues diversification, especially for modernism. The 9 th to 12 th National Art Exhibition shows the return of realism and the shaping of Chinese style. The criteria of previous awards are from "combining politics and art" to "carrying forward the main melody and advocating diversity", and then to adhering to the "mainstream socialist values". The core value of the award-winning works of the national art exhibition in the new period is to give play to their creative enthusiasm and guide their creative direction through the intervention and guidance of the national will and the corresponding system, on the basis of fully respecting the independent creation of the artists. In order to improve the artist's artistic creation to better serve the goal of national cultural revival.
【作者单位】： 郑州大学美术学院;南京艺术学院;
【基金】：中国博士后基金项目“新中国美术制度研究(1949-1989)”,项目编号:2014M551628 南京艺术学院校级研究项目“新中国美术制度研究(1949-1989)”
【分类号】：J205
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本文编号：1811015