水墨人物画中农民形象的表现

发布时间：2018-04-28 14:58

本文选题：水墨人物画 + 农民形象　；参考：《河北师范大学》2017年硕士论文

【摘要】：农民形象是在水墨人物绘画作品中是一个尤为重要的表现题材,在中国绘画史的每一个时期的美术创作中都占有很重要的位置。本文所研究的农民形象指的是水墨人物画中包含农民个体形象、群体形象和农村题材、革命题材的农民形象。艺术家们在创作农民题材的水墨人物画中,对农民生活的社会环境、生存环境、精神状态等进行了关注和表达。本文旨在研究水墨人物作品中从我国解放前到现在这个时间段生活在农村的人民以及为了生活奋斗的农民形象的变迁为主要研究内容,分析和研究了农民的生活质量在特定的社会环境下,反应出的农民们不得不自我变迁和改造。本文共分为四个部分,第一部分是1949年解放前我国农民当时苦难与忧患的生存环境下农民的懦弱无力的形象,人物画家深入感受农民疾苦,底层民众的苦难使他们的画面流露出悲痛而有力的情感;第二部分是解放后1949年到1965年期间中国人物画中乐观自豪的工农兵英雄形象,为了符合当时的社会环境和政治要求,工农兵是人物画家们唯一能够表现的创作对象,画家们努力贴近工农兵并期望成为其中的一员;第三部分是1966年到1976年从文革到改革开放前这段时期间充满激情澎湃的革命情感的农民形象,文革的洪流对水墨人物画中农民形象的表现对后来的绘画也产生了深刻的影响;第四部分是1976年以后改革开放到现在,在多元文化的冲击和生存条件的改善,农民形象也发生了大的变化。以此梳理了水墨人物画中农民形象的表现的变迁。
[Abstract]:The image of farmers is a particularly important theme in the painting works of ink and wash figures, and occupies a very important position in the art creation in every period of the history of Chinese painting. The image of peasant studied in this paper refers to the individual image of farmer, group image, rural theme and revolutionary theme in the ink figure painting. The artists pay close attention to and express the social environment, living environment and spiritual state of farmers' life. The purpose of this paper is to study the changes of the image of the people living in the countryside and the peasants struggling for life in the period from the liberation of our country to the present. This paper analyzes and studies the quality of life of farmers in the specific social environment, the farmers have to change and transform themselves. This paper is divided into four parts. The first part is the image of peasants' cowardice and powerlessness in the living environment of peasants' suffering and suffering before 1949 liberation. The suffering of the people at the bottom made their images show grief and strength. The second part was the optimistic and proud image of workers, peasants, soldiers and heroes in the Chinese figure paintings from 1949 to 1965, in order to meet the social and political requirements of the time. The workers, peasants and soldiers are the only objects that the character painters can express. The painters try to be close to the workers, peasants and soldiers and expect to be one of them. The third part is from 1966 to 1976 from the Cultural Revolution to the period before the reform and opening up of the period of passionate revolutionary feelings of the peasant image of the Cultural Revolution in the ink figure painting of the peasant image of the performance of the subsequent painting also had a profound impact; The fourth part is that since the reform and opening up in 1976, in the impact of multiculturalism and the improvement of living conditions, the image of farmers has also changed greatly. This has combed the change of the peasant image in the ink figure painting.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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