造化清空-《芦韵栖雁》创作体会

发布时间：2018-04-29 19:08

本文选题：中国花鸟画 + 芦雁作品　；参考：《哈尔滨师范大学》2014年硕士论文

【摘要】：本文在中国花鸟画研究的背景下，在传统芦雁画的认识下，从传统的观念和现代的视角思考芦雁画的传承和创新，认为芦雁画离不开生活，离不开自然，寄托着人类对自然的情感追求。通过对花鸟画芦雁的寓意研究，深度挖掘古人创作芦雁画的心理过程和个体的精神状态，总结出传统画学与传世画作的积极方面，进行研究学习。并在传统的艺术形态与现代价值尺度之间寻找契合点，在继承传统芦雁画体系的同时进行当代意义的解读。本文通过对中国花鸟画芦雁画寓意研究的现状分析，明确其研究现状和相关问题，从而分析出芦雁意象的文化渊源。本文的总体思路是：第一，通过分析芦雁的情感表现与伦理之美，，总结出芦雁创作清品的艺术心灵。第二，从清代边寿民的芦雁作品分析出传统绘画芦雁的美学意境，说明芦雁作品寓意中的情感体现。第三，重点从《芦韵栖雁》的创作观、构图形式、笔墨语言、神韵体现、灵性体现五方面入手，阐明作品中对传统芦雁画创作的传承和创新。《芦韵栖雁》是从花鸟画艺术所独具的魅力和中国传统绘画所具有的基本特征和笔墨特点，以及审美定位出发创作的。重新审视宇宙万象，自然生灵。《芦韵栖雁》的创作选题来源于身边的地域环境，并抓住物像的形象特点细心关照自然，精心揣摩这一物象神采。从而，总结出以画自然之身，体自我之感，悟众生之境的创作启示。
[Abstract]:Under the background of the study of Chinese flower and bird painting, under the understanding of the traditional Luyan painting, this paper considers the inheritance and innovation of the Luyan painting from the traditional concept and the modern angle of view, and thinks that the Luyan painting can not be separated from the life and the nature. It is the human emotional pursuit of nature. Through the study of the implication of Lu Yan in the painting of flowers and birds, the psychological process and individual mental state of the ancients' creation of the painting of Lu goose are deeply explored, and the positive aspects of traditional painting and handed down paintings are summarized, and the study is carried out. And in the traditional art form and the modern value of the scale of the search for a convergence point in the inheritance of the traditional system of Luyan painting at the same time the interpretation of contemporary significance. Based on the analysis of the current situation of the study on the implication of the Chinese flower and bird paintings, the present research situation and related problems are clarified, and the cultural origin of the image of the Lu goose is analyzed in this paper. The main ideas of this paper are as follows: first, by analyzing the emotional expression and ethical beauty of Luyan, we summarize the artistic soul of Luyan's creation. Secondly, the aesthetic conception of the traditional painting of Luyan is analyzed from the works of Lu Yan in Qing Dynasty, and the emotional embodiment in the implication of Luyan's works is explained. Third, from the point of view of creation, form of composition, language of pen and ink, embodiment of verve and spiritual embodiment, this paper expounds the inheritance and innovation of the creation of traditional Lu Yan paintings in his works. Lu Yun Qi Yan was created from the unique charm of flower and bird painting, the basic characteristics of Chinese traditional painting and the characteristics of brush and ink, as well as the aesthetic orientation. The creation topic of "Lu Yun Qi Yan" originates from the local environment around him, and attends to the image characteristic of the object and attends the nature carefully, and carefully speculates the charm of this kind of thing. Thus, the author sums up the creative enlightenment of painting the body of nature, the sense of body and self, and the realm of sentient beings.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

【参考文献】