重庆梁平木版年画人物面部腮红的审美内涵研究

发布时间：2018-04-29 22:26

本文选题：腮红 + 吉祥蕴意　；参考：《重庆师范大学》2013年硕士论文

【摘要】：近年来，在“人人置换”与“人物置换”的谱系中，年画收藏热不断向前发展，集藏人数多达50万人以上，并且还在持续增长中，重庆梁平木版年画是梁平“三绝”之一，具有独特的收藏价值和审美价值，在新的一轮收藏热中占有独特的地位。中国是一个有着悠久历史的国度，其中浩瀚的文化艺术具有广阔的含义，，延续了千年的民间年画以喜闻乐见的内容、优美动人的形式和赏心悦目的颜色构成了历代大众性的范本，它寄托着人们对美好希望和幸福生活的向往。重庆梁平木版年画始于明末，盛行于晚清，至今已有三百年左右的辉煌历史，梁平木版年画是我国一项可有效利用并持续开发的非物质文化遗产，具有丰富的民族文化内涵和人文艺术思想。本论文主要通过研究梁平木版年画的人物面部腮红的开脸仪式，从民俗学的视角分析梁平地区的民间风俗习惯。论文从浅析梁平木版年画人物的面部腮红入手，层层深入挖掘民间传统艺术丰富的文化内涵。本文通过剖析人物腮红来阐释梁平年画的审美价值和人文思想价值，从文化的视角去分析梁平民间年画腮红的制作过程。梁平木版年画的开脸仪式体现了当地人们趋吉避凶的心灵愿望，年画中仪式美学思想与当地的民风、民俗及巫术有着必然的联系，梁平年画中含有丰富的民间节庆吉祥的文化特征。本论文通过对重庆梁平木版年画面部腮红的研究分析，从研究梁平木板年画的吉祥元素的作用和意义入手，详细分析整个民间年画创造的美学思想和表现方法。全文主要从民间实地收集素材，研究年画技法和内容的传承，剖析民间艺术中神性的迁变，从重庆木版年画人物面部腮红的研究出发，去阐释整个年画中的吉祥寓意和审美内涵。
[Abstract]:In recent years, in the pedigree of "replacement for all" and "replacement of people", the New year's Picture Collection has been developing continuously, with a collection of more than 500000 people, and it is still growing. The Chongqing Liangping woodplate New year painting is one of Liang Ping's "three best". Has the unique collection value and the esthetic value, occupies the unique position in the new round collection hot. China is a country with a long history, in which the vast cultural and art has a broad meaning, continuing a thousand years of folk paintings to enjoy the content, The beautiful and moving form and the pleasing color constitute the popular model of the past dynasties, which embodies people's yearning for better hope and happy life. Chongqing Liangping wooden New year Pictures began in the late Ming Dynasty and prevailed in the late Qing Dynasty. They have a glorious history of about 300 years. They are an intangible cultural heritage that can be effectively utilized and continuously developed in China. Has rich national culture connotation and humanities art thought. This paper analyzes the folk customs in Liangping area from the perspective of folklore. This paper starts with the facial blush of the characters in Liangping wooden New year painting, and deeply excavates the rich cultural connotation of folk traditional art. This paper explains the aesthetic value and humanistic thought value of Liang Ping's New year painting by analyzing the character blush, and analyzes the making process of Liang Ping's folk New year painting blush from the perspective of culture. The opening ceremony of Liangping wooden New year's Pictures reflects the local people's desire to seek good fortune and avoid evil. The ritual aesthetic thought in the New year paintings has an inevitable connection with the local folk style, folk customs and witchcraft. Liangping New year painting contains rich folk festival auspicious cultural characteristics. Through the research and analysis of the facial blush of the wood plate paintings of Chongqing Liangping, this paper starts with the function and significance of the auspicious elements of the wooden New year paintings of Liang Ping, and analyzes in detail the aesthetic ideas and expression methods created by the whole folk New year paintings. The full text mainly collects the material from the folk field, studies the inheritance of the techniques and contents of the New year painting, analyzes the transformation of divinity in folk art, and starts from the research on the facial blush of the characters in Chongqing woodcut New year paintings. To explain the auspicious implication and aesthetic connotation of the whole New year painting.
【学位授予单位】：重庆师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J218.3

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