浅析怪诞插图的表现与应用

发布时间：2018-04-30 06:07

本文选题：怪诞插图 + 反常态艺术　；参考：《鲁迅美术学院》2014年硕士论文

【摘要】：怪诞插图是一种融合了怪诞艺术特征与插图艺术表现形式的实用美术形式。怪诞插图从属于怪诞艺术,与其它美学意识形态的艺术形比较起来,怪诞艺术阐释的是一种离奇的怪异之美,能给观者带来超乎寻常的感官刺激与震撼心灵的强烈感受。较之其它类型的插图作品,怪诞插图具有独特的审美价值功效：自由本能愿望的满足、陌生罕见惊奇的创造、深层的自我否定与关注。怪诞插图通常运用夸张的艺术手法,以滑稽搞笑的表现形式来阐述极端丑恶的内容,达到令受众感到恐惧、好笑、神秘、智趣的作用。人类的审美需求决定了艺术形态多样性的最终走向。在人类审美感受的基本内容是以审美主体-人的主观需求为基础的,在形式上我们既寻求舒缓平静又渴望激烈刺激；在内容上我们既认可庄严肃穆、熟悉真实又期待光怪陆离、陌生虚无,多元化的艺术形态满足并丰富了人类的感受与需求。所以在优美、崇高、悲剧、滑稽艺术之后人类创造了相比之优美的亲切可爱,崇高的肃然起敬,悲剧的愤慨壮烈,滑稽的轻松自信更为荒诞不经、耐人寻味怪且玄幻多姿的怪诞诞艺术供己赏析玩味。怪诞艺术在审美意义上具有其它形式艺术不可匹敌的特殊艺术魅力与美学价值。怪诞插图以滑稽的形式表现丑恶,再通过受众的一系列惊骇反应使之知恶防恶远离恶,最终使受众得到精神上的是防御发泄,从而以饱满的正能量回归到严肃的客观现实中来,这是怪诞插图的现实意义。伴随着数据时代的到来、人们的审美接受度更加多元化、包容多也更高,怪诞插图的表现手段日益膨胀裂变并与多门类学科融会贯通,逐渐打破陈规、超越传统范畴。多元化的跨界、提升观者参与度成为怪诞插图不可或缺的元素。张弛有度的调控好怪诞插图对传统插图艺术的传承与颠覆,加上多元化更为灵活的表现形式会令怪诞插图在更多领域大放异彩、成为应用更为广泛的实用美术,这就意味着要对怪诞插图进行更多大胆尝试与实验性探索。
[Abstract]:Grotesque illustration is a practical art form which combines the characteristics of grotesque art with the artistic manifestation of illustrations. The grotesque illustration is subordinate to the grotesque art, and compared with the artistic form of other aesthetic ideology, the grotesque art interprets a kind of strange and strange beauty, which can bring the viewer extraordinary sensual stimulation and strong feeling of shaking the heart. Compared with other illustrations, grotesque illustrations have unique aesthetic value effects: the satisfaction of the free instinct desire, the strange and rare creation, the deep self-negation and concern. Grotesque illustrations usually use exaggerated artistic techniques to elaborate the extremely hideous content in the form of funny and funny expression, which can make the audience feel frightened, funny, mysterious and witty. The aesthetic needs of human beings determine the final trend of the diversity of art forms. The basic content of human aesthetic feelings is based on the subjective needs of the aesthetic subject. In form, we seek to relieve calm and crave intense stimulation; in the content, we both recognize solemn, familiar with reality and expect strange things, Strange nothingness, diversified artistic form satisfied and enriched the human feelings and needs. So after beauty, sublime, tragedy, comic art, human beings have created a comparison of beautiful kindness and loveliness, sublime reverence, tragic indignation, and funny ease and confidence that are even more absurd. Grotesque and illusory grotesque art for their own enjoyment. Grotesque art has special artistic charm and aesthetic value which other forms of art can not match in aesthetic sense. Grotesque illustrations show ugliness in a funny form, and through a series of appalling reactions of the audience, they know that evil is prevented from evil and away from evil, so that the audience will finally get a mental defense vent, and thus return to the serious objective reality with full positive energy. This is the practical significance of grotesque illustrations. With the arrival of the data age, people's aesthetic acceptance is more diversified, more tolerant and higher. The performance means of grotesque illustrations are expanding and fission day by day, and merge with various disciplines, gradually break the stereotypes and exceed the traditional category. Diversified cross-boundary, enhancing the participation of the viewer has become an indispensable element of grotesque illustrations. Zhang Chi's moderate regulation and control over the inheritance and subversion of the traditional illustration art, coupled with the diversified and more flexible forms of expression, will make the grotesque illustration shine in more fields and become a more widely used practical art. This means more bold attempts and experimental exploration of grotesque illustrations.
【学位授予单位】：鲁迅美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J218.5

【共引文献】