从《五百盗贼皈佛缘图》看中国画的时空观

发布时间：2018-05-01 19:07

本文选题：时间的流动 + 诗意的语言　；参考：《鲁迅美术学院》2013年硕士论文

【摘要】：《五百盗贼皈佛缘图》是敦煌壁画的代表性作品之一，创作于六世纪中期以后，其画面跳开了真实的比例关系，将全部的精力用于表达，在画面中最突出的的特点就是“平”。在布局上采用填空式的手法，把多个空间统一于一个画面中。从而产生类似于连环画的效果，同时在画面中产生了时间的流动之感。这种绘画方式同西方的绘画完全不同，摆脱了客观时间的束缚，使不同时间上发生的事情相互穿插，同时呈现于同一画面之上。这种打破客观时间空间的表达方式，体现出了东方人的意识观念，，也可以说，这种打破时空的充满诗意绘画语言方式，是古人留给我们的珍贵的遗产。同时，她历经千年的变迁，依旧散发出耀眼的光芒，为我们带来启示。《五百盗贼皈佛缘图》代表着东方人的时空观念。在这个开放，尊重个性的时代，我们重新去理解这种语言，去解读传统，并从中有所借鉴，使其散发出新的活力。也是需要我们去努力和思考的。
[Abstract]:< 500 Thieves converted to Buddhism "is one of the representative works of Dunhuang frescoes. Created after the middle of the sixth century, the picture jumped away from the true relation of proportion and devoted all its energy to expression. The most prominent feature in the picture is" flat ". In the layout of the use of blank-filling technique, the unity of a number of spaces in one screen. Thus, the effect is similar to the comic strip, and at the same time, it creates a sense of time flow in the picture. This way of painting is completely different from western painting. It gets rid of the bondage of objective time and makes things intertwine with each other at different times and present on the same picture at the same time. This expression way of breaking the objective time and space reflects the consciousness of the oriental people. It can also be said that this poetic painting language way of breaking the time and space is a precious heritage left by the ancients. At the same time, after thousands of years of change, she still radiates dazzling light, for us to bring enlightenment. A picture of 500 thieves converting to Buddhism represents the idea of time and space of the Orient. In this era of openness and respect for individuality, we re-understand the language, interpret tradition, and draw lessons from it to exude new vitality. It is also necessary for us to work hard and think.
【学位授予单位】：鲁迅美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

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