潘天寿《听天阁画谈随笔》研究

发布时间：2018-05-02 05:14

本文选题：《听天阁画谈随笔》 + 潘天寿　；参考：《山西师范大学》2013年硕士论文

【摘要】：潘天寿先生是中国绘画史上杰出的传统派绘画大师和理论家。潘天寿先生一生始终坚守着中国传统文化的精神,以自己的独创精神捍卫和发展着我们本民族的绘画艺术。从潘先生的作品中我们可以看出潘先生对民族文化和历史情感的寄托，潘天寿先生是一位“传统出新”的典范。《听天阁画谈随笔》是潘天寿先生众多理论著作中的重要一部，该书是潘天寿先生绘画思想的集中体现，也是其艺术实践的结晶，其绘画理论与艺术创作是可以相互印证。《听天阁画谈随笔》从中国传统文化精神作为切入点，传递了多种有价值的绘画思想。首先对民族传统文化进行了再认识，只有中西绘画拉开距离才能在保持民族艺术特色的基础上进行创新。其次中国画的创新要在中国画的内在形式语言上进行转型，如对绘画的题材、画幅、构图、笔法、意境等多方面进行创新，才能达到“至大、至刚、至中、至正气”的意境。此外，潘天寿先生在本书中对人品与画格的问题也有所阐述，提出“画事不须‘三绝’而须‘四全’”的艺术主张。强调了画家必须是具有高尚的人品、丰富的学养、一定的天资、足够的勤奋，只有全面的提高自己的修养，才有可能在艺术的道路上走的更远。本文主要是从以上的三个方面进行论述，，将潘天寿先生所著的理论《听天阁画谈随笔》中的重要观点进行了分析和阐述。《听天阁画谈随笔》汇集了潘天寿先生一生艺术实践的肺腑之言。由于潘天寿先生善绘画，亦工诗书，通书法、诗词、篆刻，修养极高，本著作议论深入而全面，故每述能切中肯綮，揭古人之未至，发前人所未发。其画学思想博大深沉，旨精意远，且含有强烈的民族传统文化的自信与创新精神，对我们如何继承传统文化、对中国画的创新等现实问题都具有积极的指导意义。
[Abstract]:Pan Tianshou is an outstanding traditional painting master and theorist in the history of Chinese painting. Mr. Pan Tianshou has always adhered to the spirit of Chinese traditional culture all his life, defending and developing our own national painting art with his original spirit. From the works of Pan, we can see that Mr. Pan's trust in national culture and historical emotion, Pan Tianshou is a model of "tradition out of new". Listening to the sketches of Tiange painting is an important part of Mr. Pan Tianshou's many theoretical works. This book is the concentrated embodiment of Mr. Pan Tianshou's painting thought and the crystallization of his artistic practice. His painting theory and artistic creation can be verified mutually. From the spirit of Chinese traditional culture as the starting point, it conveys a variety of valuable painting ideas. First of all, the traditional culture of the nation has been recognized again. Only by drawing apart, can we innovate on the basis of keeping the characteristics of national art. Secondly, the innovation of Chinese painting should be transformed on the internal formal language of Chinese painting, such as the subject matter, picture frame, composition, stroke method, artistic conception and so on, in order to achieve the artistic conception of "the greatest, the right, the middle and the right". In addition, in this book, Pan Tianshou also elaborated on the issue of character and painting, putting forward the artistic proposition that painting should not be 'three absolute' but should be 'four complete'. It is emphasized that painters must have noble character, rich education, certain talent, enough diligence, only by comprehensively improving their own accomplishment, can they go further on the road of art. This article is mainly from the above three aspects to discuss, This paper analyzes and expounds the important viewpoints in Mr. Pan Tianshou's theory "talking about listening to Tiange paintings". < listening to Tiange paintings and talking about essays] brings together the words from the bottom of the heart of Mr. Pan Tianshou's artistic practice all his life. Since Mr. Pan Tianshou is good at painting, poetry, calligraphy, poetry, seal cutting, culture is very high, this work in-depth and comprehensive discussion, so each statement can cut the eye, uncover the ancients, hair people have not been sent. His theory of painting is profound and profound, with a strong national traditional culture of self-confidence and innovative spirit, which has a positive guiding significance to us how to inherit traditional culture, and to the innovation of Chinese painting and other practical issues.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

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