当代工笔花鸟画的色彩语言创新研究

发布时间：2018-05-02 09:38

本文选题：工笔花鸟画 + 色彩　；参考：《云南师范大学》2013年硕士论文

【摘要】：工笔花鸟画作为中国画坛不可缺少的一个画种，在唐朝初期独立成科，五代时期不断发展壮大，后来随着宋代文人画在画坛上主导地位的逐渐确立，水墨画兴起，逐渐取代了工笔画成为绘画的主流，，墨色的作用更为凸显，直至元、明、清，“画道之中，水墨最为上”的审美观念持续了近千年。在这期间，即使色彩出现在工笔花鸟画中，也只是在传统的“骨法用笔”前提下进行的“随类赋彩”。如今，随着社会的变革和人们审美观念的转变,以色彩为主的工笔花鸟画重新受到重视，中国画中的色彩表现愈趋普遍。同时，当代工笔花鸟画的色彩表现不再只局限于传统，画家们或挖掘传统,或借鉴西方绘画,使得当代工笔花鸟画在色彩上取得了进展。文章通过对部分画家色彩运用的研究与分析,以此来研究当代工笔花鸟画的色彩语言应用。
[Abstract]:As an indispensable painting in the Chinese painting world, fine brushwork and bird painting became independent in the early Tang Dynasty, and developed continuously during the five dynasties. Later, with the gradual establishment of the dominant position of the literati painting in the Song Dynasty, the ink painting rose. Gradually replaced the fine brushwork into the mainstream of painting, the role of ink is more prominent, until Yuan, Ming, Qing, "painting, ink is the most" aesthetic concept lasted for nearly a thousand years. During this period, even if the color appears in the fine brushwork, it is only in the traditional "bone method with the pen" premise of "with the kind of color." Nowadays, with the change of society and the change of people's aesthetic concept, the fine brushwork and bird painting, which is mainly color, is paid more and more attention, and the color expression in Chinese painting is becoming more and more popular. At the same time, the contemporary fine brushwork flower-and-bird painting color performance is no longer confined to the traditional, painters or dig into the tradition, or draw lessons from Western painting, making contemporary fine brush flower-bird painting in color has made progress. Through the research and analysis of the application of some painters' colors, this paper studies the application of contemporary fine brushwork flower-and-bird paintings.
【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【参考文献】