浅析新古典主义画家安格尔的绘画特征

发布时间：2018-05-02 10:07

本文选题：安格尔 + 绘画　；参考：《曲阜师范大学》2017年硕士论文

【摘要】：让·奥古斯特·多米尼克·安格尔(Jean Auguste Dominique Ingres,1780—1867)是法国新古典主义绘画最具盛名的代表人物之一。他出生于法国蒙托邦(Montauban),师从雅克·路易·大卫(Jacques-Louis David,1748—1825)。他曾经在意大利留学,他遨游在古典艺术的世界里,对文艺复兴时期古典大师们的作品反复揣摩与研究。在这段时间里,安格尔对斐尔·桑西(Raphael,1483—1520)的经典艺术产生了浓厚兴趣,开始学习和研究他的艺术特点和风格。安格尔的绘画吸收着文艺复兴时期意大利绘画的精髓,还吸纳了古代绘画方法的精华。画工新颖精致、构图稳定严谨、色彩细腻单纯、形象高贵典雅。安格尔以新的姿态、独具特色的绘画特点享誉19世纪画坛。安格尔的绘画作品呈现出三个主要特征。第一个特征是浅浮雕式塑造,这是其绘画独特性的最突出标志。安格尔的绘画造型打破了传统“圆雕”的造型范式,在一定程度上进行适度的压缩。主要从两个方面进行压缩:形体与光影起伏的压缩;同时安格尔的绘画造型在形态与解剖的处理上,采取个性化的手法,达到其特殊造型目标,使得绘画造型呈现出浅浮雕式塑造的特点。通过这些方面的研究,对理解安格尔绘画造型有重要的意义。第二个特征是平面化布局,他的作品呈现出不同于其他画家追求空间感的一种“平面化”特征。安格尔在继承传统绘画的基础上,借鉴与运用了许多古代的绘画方法,比如“正面律”、瓶画、以及线面重叠;安格尔不追求空间上的错觉,在“色平面”的处理上非常简洁,这些简洁的色平面布置与其造型特性相结合,导致空间上的纵深层次较少,呈现出非常明显的“平面化”的特点;在透视方面,安格尔继承了文艺复兴时期的平行透视,在一定程度上进行了“非纵深”的处理。由于这些方面的共同作用,使画面呈现出平面化的特征。通过这些方面的研究,有助于理解安格尔绘画的形式结构。第三个特征是静态化意蕴,这正是新古典主义绘画的典型性特征。安格尔的绘画作品充满了理性色彩,用严谨的形态关系表达内心的宁静。在人物姿态方面,安格尔通过人物动势各组间的力相互制约,达到一种对称平衡;安格尔的人物姿态沿袭拉斐尔模式,遵循秩序化,将静谧之美运用到自己的绘画中。安格尔运用独特的色彩,主张理智地描绘,营造着画面的氛围。安格尔绘画中呈现的光影是安静的、不强烈的,是柔和的,营造的视觉效果是静谧的。通过这些方面的研究,可以更好地体味安格尔绘画的审美效果。
[Abstract]:Jean Auguste Dominique Ingresin 1780-1867) is one of the most famous representatives of French neoclassical painting. He was born in Montaubanan, Montoon, France, and studied under Jacques Louis David Jacques-Louis David, 1748-1825. He studied in Italy. He traveled in the world of classical art and studied the works of the classical masters of the Renaissance. During this time Angel became interested in the classical art of Fiel Sansy Raphaeln 1483-1520 and began to study and study his artistic characteristics and styles. Angle's paintings absorbed the essence of the Italian painting of the Renaissance and the essence of the ancient painting methods. Painters novel and exquisite, composition stable and rigorous, delicate and simple colors, noble and elegant image. Angel is famous in the 19 th century for his new posture and unique painting features. Angel's paintings show three main features. The first characteristic is the shallow relief molding, which is the most outstanding symbol of its painting uniqueness. Angell's painting style broke the traditional "round carving" modeling paradigm, to a certain extent, moderate compression. Compression mainly from two aspects: the compression of shape and light and shadow ups and downs; at the same time, Angel's painting modeling in the shape and anatomy of the treatment, taking a personalized approach, to achieve its special modeling objectives, So that the painting model presents the characteristics of shallow relief molding. Through the study of these aspects, it is of great significance to understand Angel's painting modeling. The second feature is the planarization layout, which is different from other painters in their pursuit of space. On the basis of inheriting the traditional painting, Angel used many ancient painting methods, such as "front law", bottle painting, and line and surface overlap, Angel did not pursue the illusion of space, and was very concise in the treatment of "color plane". The combination of these simple color-plane arrangement and its modeling characteristics resulted in less depth in space, showing a very obvious characteristic of "planarization". In perspective, Angle inherited the parallel perspective of the Renaissance. To a certain extent, the "non-depth" treatment. Because of the joint action of these aspects, the picture presents the feature of flatness. Through the study of these aspects, it is helpful to understand the formal structure of Angel's paintings. The third characteristic is static meaning, which is the typical feature of neoclassical painting. Angell's paintings are full of rational colors, expressing inner tranquility with rigorous morphological relations. In the aspect of character posture, Angel restricts each other through the force of each group of characters, achieves a kind of symmetrical balance, and Angel's character posture follows the Raphael model, follows the order, and applies the beauty of tranquility to his painting. Angle uses the unique color, advocates the rational description, creates the picture atmosphere. The light and shadow presented in Angel's paintings are quiet, not intense, soft, and the visual effects created are quiet. Through the study of these aspects, we can better appreciate the aesthetic effect of Angel's painting.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205

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