综合绘画中软材料的语言研究

发布时间：2018-05-05 12:35

本文选题：软材料 + 综合绘画　；参考：《四川美术学院》2017年硕士论文

【摘要】：综合绘画在国际艺术大展中已经屡见不鲜,打破了传统艺术意义上的创作规范。对材料本身的探索,说明人们的视觉经验、视觉感受以及审美意识不断的在发生变化,这也是作者和观者追求表现深度和精神向度的必然产物。笔者在对综合绘画相关的文献进行整理后,发现比较多的相关文章是在某一个章节谈及创作材料中软、硬材料的对撞,把软材料作为综合绘画中一种重要的语言进行深入探讨的书籍和文章相对较少,所以这是笔者认为值得去研究和讨论的方向。本文从对综合绘画中软材料语言的研究出发,引起对软材料的关注,继而从软材料角度看综合绘画的发展,对其理论整理和实例分析,为创作者提供一个依据和平台。另外有必要强调的是,在综合绘画中讨论软材料,主要是把时间放在现代艺术中去讨论,着重点不在传统绘画的创作工具、创作材料和创作表达方式上。否则,把油画中的传统媒介、国画中的传统媒介又或者是素描作品中的色粉都提出来谈,那这个研究就是一个悖论了。国内在综合绘画中软材料的运用非常广泛,一批艺术家尚扬、梁铨、管策、徐累等等的艺术家,都在自己的作品中进行综合实验,创作出了优秀的作品。但与国外相比,软材料在国内综合绘画中的运用还缺乏多元化的模式、前卫性的探索,软材料分类过于庞杂,软材料的研究与整理还不够深入,展览作品也存在着当代性的问题,在短暂的视觉冲击之后,作品和作者的当下生活有什么样的关系,是否被材料或材料的形势所吞噬,这也是该意识和反思的问题。如今的艺术创作在向着各艺术门类的交叉融合中发展,各艺术门类都逃不开讨论和探索材料的运用,综合绘画也不例外。软材料在综合绘画创作中的使用非常广泛,通过对综合绘画中软材料语言的分析,不同的软材料具备不同的形态、色泽、质感和独特的语言魅力,在这种情况下,就要求作者深入接触、感受、理解软材料,而后进行选择和运用,结合自己本土的经验、自身情感出发,脱离简单的“制作”或者一味模仿他人的阶段。各大高校的材料课,让同学们有了机会体验围绕材料展开的创作。创作应该在深入了解中国本土艺术的发展之后进行中西结合,跳出自己专业的束缚,寻找合适自身的材料,进行可行性实验,充分发挥想象力,以开放的心态从外部的事物中吸取灵感,通过实验去体验软材料的可能性。社会和科技仍在不断进步,会有更多丰富的软材料涌现出来成为艺术家艺术创作中的媒介。通过不断的尝试、积累经验,我们依旧可以看到软材料在综合绘画中发展的美好前景。我相信,综合绘画会更具有表现力,内容更加多彩,让艺术的形式以及艺术家对综合绘画的观念真正达到平衡。
[Abstract]:Comprehensive painting has been common in the international art exhibition, breaking the traditional artistic sense of creative norms. The exploration of the material itself shows that people's visual experience, visual feeling and aesthetic consciousness are constantly changing, which is also the inevitable outcome of the author and the viewer in pursuing the depth of expression and spiritual orientation. After sorting out the literature related to comprehensive painting, the author found that more and more related articles talked about the collision of soft and hard materials in a certain chapter. There are relatively few books and articles on soft materials as an important language in comprehensive painting, so this is the direction that the author thinks is worth studying and discussing. Based on the study of the language of soft materials in comprehensive painting, this paper pays attention to soft materials, then looks at the development of comprehensive painting from the perspective of soft materials, and analyses its theory and examples, which provides a basis and platform for the creators. In addition, it is necessary to emphasize that the discussion of soft materials in comprehensive painting mainly focuses on the modern art, focusing on the creative tools, creative materials and creative expression of traditional painting. Otherwise, it is a paradox to talk about the traditional medium in oil painting, the traditional medium in traditional Chinese painting or the color powder in sketch works. The application of soft materials in comprehensive painting is very extensive. A group of artists, such as Shang Yang, Liang Quan, Guan Shu, Xu Lei and so on, have conducted comprehensive experiments in their own works and created excellent works. But compared with foreign countries, the use of soft materials in domestic comprehensive painting is still lack of diversified mode, avant-garde exploration, soft materials classification is too complex, soft materials research and collation is not deep enough, After a brief visual shock, the relationship between the work and the author's current life, whether or not it is swallowed by the material or the situation of the material, is also a question of consciousness and reflection. Nowadays, the art creation is developing towards the cross fusion of all kinds of art, all kinds of art can not escape the discussion and explore the use of materials, comprehensive painting is no exception. Soft materials are widely used in comprehensive painting creation. By analyzing the language of soft materials in comprehensive painting, different soft materials have different forms, color, texture and unique language charm, in this case, It requires the author to contact, feel and understand the soft material deeply, then choose and use it, combine his own experience and emotion, break away from the stage of simple "making" or blindly imitating others. The material classes in major colleges and universities give students the opportunity to experience the creation of materials. After deeply understanding the development of Chinese native art, creative works should combine Chinese and Western, jump out of their own professional constraints, find suitable materials for themselves, conduct feasibility experiments, and give full play to their imagination. Take inspiration from outside with an open mind and experience the possibilities of soft materials through experiments. Society and technology are still advancing, and more and more soft materials will emerge as a medium for artists' artistic creation. Through constant attempts and accumulated experience, we can still see the bright prospect of soft materials in the development of comprehensive painting. I believe that comprehensive painting will be more expressive, more colorful, so that the art of form and the artist's concept of comprehensive painting to achieve a real balance.
【学位授予单位】：四川美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205

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