《汾城文庙》的创作过程及研究
发布时间:2018-05-06 19:02
本文选题:写生 + 古建筑 ; 参考:《山西师范大学》2017年硕士论文
【摘要】:在作品创作之初,许多绘画题材掠过我的脑海,随后我查询了一些有关国内外的绘画资料,发现针对创作古建筑群为题材的油画作品少之又少,说明人们对于这一方面有所忽视。在研究生学习期间的第二次下乡写生采风中偶然接触到古建筑群,并对这一题材产生了兴趣。现代社会在进步发展中日新月异,城市的繁华让人们产生了一种浮躁的缺失感,古建筑群在喧嚣的城市中静静伫立,每一次近距离的接触都会让我的内心为之平静,不由地我想通过油画来创作来记录这一东方独有的建筑形态。本文是我对自己的毕业创作心路历程的总结与反思,从生活中收集素材并创作,之后通过思考、构图、推敲,直至完成《汾城文庙》这一油画作品的创作。创作是来源于生活,提取于生活,并高于生活的一种思想情感,它是一个极其复杂的过程,包括采风、构思、草图设计、油画小稿和正稿等环节,是从体验生活到发现美,再经过个人主观意识的加工,最后用绘画技巧传达为作品。在这一作品的创作过程中,我反复对小稿和大稿进行改动,使画面做到完整统一性并且调节画面的节奏感。这个过程让我认识到只有不断地学习和借鉴,掌握更多的材料用法和绘画技巧才能准确地表现出绘画者的主观意识和艺术思想。
[Abstract]:At the beginning of the creation of the works, a lot of painting themes passed through my mind, and then I inquired about some painting materials at home and abroad, and found that there were very few oil paintings on the theme of creating the ancient architectural complex. This shows that people have ignored this aspect. In the second time during graduate study, he came into contact with the ancient architecture group and became interested in this subject. The modern society is developing with each passing day, the prosperity of the city makes people have a kind of impetuous lack of feeling, the ancient building group stands quietly in the noisy city, every close contact will make my heart calm for it. I would like to record this unique oriental architectural form through oil painting. This paper is a summary and reflection of my own mental process of graduation and creation. I collect materials from my life and create them. After that, I finish the creation of this oil painting by thinking, composing, examining, and completing the painting of Fencheng Wenmiao. Creation is a kind of thought and emotion that comes from life, is extracted from life, and is higher than life. It is an extremely complicated process, which includes drawing wind, conception, sketch design, oil painting sketch and original manuscript. It is from experiencing life to discovering beauty. After the processing of personal subjective consciousness, the final use of painting skills to convey for the work. In the process of the creation of this work, I repeatedly change the short draft and the large manuscript to make the picture complete and unified and adjust the rhythm of the picture. This process makes me realize that only by constantly learning and learning, mastering more material usage and painting techniques can I accurately express the subjective consciousness and artistic thought of the painter.
【学位授予单位】:山西师范大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J213
【参考文献】
相关期刊论文 前1条
1 水天中;;中国油画的历史与现状[J];中外文化交流;2008年07期
,本文编号:1853497
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