木版画艺术的刀法研究

发布时间：2018-05-06 20:21

本文选题：版画 + 木版画　；参考：《苏州大学》2013年硕士论文

【摘要】：在悠久的版画历史中，刀法一直是木版画中最为突出的表现形式和显性的特征。刀法在人类早期文明遗迹中就已出现，中国传统木版画以复制印刷为主要目的，刀法追求中国画线条笔意；西方艺术家借鉴中国雕版印刷术进行不断发展演变，自文艺复兴开始就使版画成为一种具有创作价值的独立艺术形式，一直到表现主义，，刀法一直是木版画语言中最有特点的形式之一。中国现代木版画从“新兴木刻”开始至今，刀法不断熟练、丰富，形成了具有中国特色文化特征的独立语言。木版画的刀法与刻刀、版材，以及刀法组织技巧息息相关，按照中国传统雕版木版画、木面木版画、木口木版画来分，木版画在不同的版类有不同操刀技巧和刀痕效果。对材料和技法归纳整合研究是深入了解木版画的必经之路。
[Abstract]:In the long history of engraving, knife method has always been the most prominent form of expression and dominant features in woodblock prints. The knife method has already appeared in the ruins of the early human civilization. The main purpose of Chinese traditional woodblock printing is to copy and print, and the knife method pursues the meaning of line and pen of Chinese painting. Western artists use Chinese engraving printing for reference for their continuous development and evolution. Since the beginning of the Renaissance, print has become an independent form of art with creative value, until expressionism, the knife method has always been one of the most characteristic forms in woodcut language. From the beginning of "emerging woodcut", Chinese modern woodcut has been skillful and rich, forming an independent language with Chinese characteristics. The cutting method of wood engraving is closely related to knife, plate, and organization skill of knife. According to Chinese traditional woodcut, woodcut has different skill and effect of knife mark in different edition. The study of materials and techniques is the only way to understand woodcut.
【学位授予单位】：苏州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J217

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