由《愚公移山》所引发的人物画写生能力与造型能力的思考

发布时间：2018-05-07 17:47

本文选题：愚公移山 + 人物画　；参考：《鲁迅美术学院》2013年硕士论文

【摘要】：创作于抗日战争时期的《愚公移山》是徐悲鸿先生为了鼓舞广大民众争取胜利的精品力作，作品以恢宏的气势和动人心魄的艺术力量影响了后来几代人的人物画艺术创作，这其中最令世人称道的便是中国传统绘画与西方绘画技法的完美结合，而实现这一完美结合的有效载体就是作品中的人物造型。画家用传统白描手法塑造了一个又一个坚实有力的人物形象，但其中也借鉴了大量的西方绘画中的透视空间，，解剖结构，光线阴影等因素，甚至借用了一些真实生活中的人体模特的形象，但即使如此，我们并不能由此就判断该作品就是一幅具备西方以写生为基础的写生性质的人物画，原因就在于作品的造型方法属于中国人物传统画创作范畴，也就是说，以写生为特征的写生能力与以创造为目的的造型能力是有着本质区别的。本文通过对“写生”和“造型”两种不同概念的比较分析，得出这样的结论：写生能力是“眼”“手”一致的协调力，而造型能力才是“胸”“手”合一的创造力。因为造型能力既能够塑造艺术典型，又能够创造艺术美；既能够赋予艺术家创造力，也能够锻炼艺术家的形象思维能力。而写生的唯一必要性只在于“艺术是对生活的反映”这一点，由此我们发现徐悲鸿注重对中西绘画事例实则是坚守传统基础上的借鉴。并非全盘西化。笔者认为当下的人物画创作应清楚而深刻地认识这一点，将造型能力的提升作为人物画创作的基石，并由此引发了对于造型能力培养的种种思考。总之，本文通过对《愚公移山》中所体现出的“形神观”的探讨以期对日后的人物画创作有所裨益。
[Abstract]:Created during the War of Resistance against Japan, "Yugong and Yaoshan" is a masterpiece by Mr. Xu Beihong to inspire the general public to win the victory. His works have influenced the artistic creation of figure paintings of later generations with great momentum and moving artistic force. The most laudable one is the perfect combination of Chinese traditional painting and western painting techniques, and the effective carrier to realize this perfect combination is the character modeling in the works. The painters have created one solid and one powerful figure after another with the traditional method of white drawing, but they also draw lessons from the perspective space, anatomical structure, light shadow and other factors in a large number of Western paintings. It even borrows some real life mannequins, but even so, we can't judge from this that the work is a portrait of a Western sketch based on sketching. The reason lies in the fact that the modeling method of the works belongs to the category of traditional Chinese characters' painting, that is, the sketch ability characterized by sketching is essentially different from the ability to shape with the aim of creation. Through the comparison and analysis of the two different concepts of "sketch" and "modeling", this paper draws the conclusion that the ability of sketch is the consistent coordination of "eye" and "hand", and the ability of modeling is the creativity of "chest" and "hand". Because the ability of modeling can not only shape the artistic model, but also create artistic beauty; it can not only endow the artist with creativity, but also exercise the artist's ability of thinking in images. The only necessity of sketching lies in the fact that art is a reflection of life. From this we find that Xu Beihong's emphasis on Chinese and Western painting is a reference on the basis of sticking to the tradition. Not completely westernized. The author thinks that the present figure painting creation should understand this point clearly and deeply, regard the promotion of the modeling ability as the foundation stone of the figure painting creation, and thus cause all kinds of thinking about the cultivation of the modeling ability. In a word, this paper discusses the "outlook on form and spirit" embodied in "Yugong moving away the Great Mountain" in order to be of benefit to the creation of figure painting in the future.
【学位授予单位】：鲁迅美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【共引文献】