传统漆画技法在油画创作中的运用

发布时间：2018-05-08 01:15

本文选题：油画 + 漆画　；参考：《福州大学》2014年硕士论文

【摘要】：艺术多元化的今天油画与其它画种之间的界限越来越模糊,油画的创作也不仅仅局限在古典主义、印象主义的世界里。采用新材质、新绘画技法、新做画工具及大胆的借鉴其他画种技法,在无形中拓宽了油画创作之路和油画的审美范围。油画创作中,材料语言的运用被推向重要的位置上,综合材料在油画创作中的运用成为一个有益的尝试。本次毕业创作通过对漆画贴、撒类综合材料的研究结合创作实践,探讨漆画技法材料在油画创作中的运用。对漆画综合材料在油画创作中的运用进行探索,赋予油画创作新的活力。本文分为五个章节：第一章引言通过对油画综合材料介绍以及二十世纪初将综合材料运用到油画创作中的代表性画家介绍,让我们对油画综合材料有一个更深层次的认识与理解。说明将漆画综合材料运用到油画创作中有一定的现实意义。第二章漆画创作中贴、撒类材料的运用,本章主要介绍漆画创作中常用的贴、撒类材料,结合列举漆画家的漆画作品,让人对漆画材料有一个更深的认识。第三章漆画材料在油画创作中的运用意义,本章通过介绍将综合材料运用到绘画创作中的朱进、张元几位艺术家的作品。说明漆画材料运用到油画创作中的意义。第四章油画创作过程解析,本次创作以风景题材为主,通过创作将综合材料运用到实践中,创作分为三个系列,第一个系列以渔船为题材,表达了勤劳勇敢的渔村人民不畏艰辛,为自己的生活努力的奋斗,他们正昂首阔步仅仅跟随着时代的脚步在前进。第二个系列以江南水乡为题材,所表现的水乡场景与现代都市车水马龙快节奏的场景形成鲜明的对比,使人忘记喧嚣,让内心与自然接触平静下来。第三个系列以“花中四君子”的梅花、兰花、菊花为题材。梅花,兰花,菊花是常见的咏物诗和文人画题材,寓意自强不息,清华其外,澹泊其中,不作媚世之态。用综合材料的手法来梅、兰、菊题材将传统元素以另一种形式展示给观众,使人引起联想。第五章总结,这次创作让我对贴、撒类材料有了一个更深层次的认识,或许有很多细节还做不到位,但是通过这次创作让我明白对于材料的开发利用是无止境的,主要是绘画创作者如何利用。
[Abstract]:Nowadays, the boundary between oil painting and other paintings is more and more blurred, and the creation of oil painting is not confined to the world of classicism and impressionism. By adopting new materials, new painting techniques, new painting tools and bold drawing techniques, the way of oil painting creation and the aesthetic range of oil paintings have been widened in the form of intangibility. In oil painting, the use of material language is pushed to an important position, the application of comprehensive materials in oil painting has become a useful attempt. Through the research of lacquer painting paste and comprehensive materials, this paper discusses the application of lacquer painting technique material in oil painting creation. This paper explores the application of lacquer painting comprehensive materials in oil painting creation and gives new vitality to oil painting creation. This paper is divided into five chapters: the first chapter introduces the comprehensive materials of oil painting and the representative painters who applied the comprehensive materials to the oil paintings at the beginning of the 20th century. Let us have a deeper understanding and understanding of the comprehensive materials of oil painting. It is of practical significance to apply the comprehensive materials of lacquer painting to oil painting creation. The second chapter is about the application of lacquer painting materials in lacquer painting creation. This chapter mainly introduces the commonly used paste and scatter materials in lacquer painting creation, combined with the lacquer painting works of enumerating lacquer artists, so that people have a deeper understanding of lacquer painting materials. The third chapter is about the application of lacquer painting materials in oil painting. This chapter introduces the works of Zhu Jin and Zhang Yuan. Explain the significance of the application of lacquer painting materials to oil painting. The fourth chapter analyzes the process of oil painting creation. This creation is mainly about landscape, through which the comprehensive materials are applied to practice. The creation is divided into three series. The first series takes fishing boats as the subject matter. The hard-working and brave people of the fishing village do not fear the hardships and strive hard for their own life. They are just marching forward with the pace of the times. The second series takes the Jiangnan water village as the subject matter, the performance of the water countryside scene and the modern city traffic fast rhythm scene form the sharp contrast, causes the person to forget the noise, lets the heart and the nature contact calm down. The third series is about plum blossom, orchid and chrysanthemum. Plum blossom, orchid, chrysanthemum are the common theme of chanting poems and literati paintings. Using comprehensive materials to Mei, Lan, Ju theme to show traditional elements to the audience in another form, making people think. The fifth chapter summarizes that this creation has given me a deeper understanding of the paste and scatter materials. There may be a lot of details that are not in place, but through this creation I understand that there is no end to the development and utilization of materials. It is mainly how to use painting creators.
【学位授予单位】：福州大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

【参考文献】