当代中国工笔花鸟画装饰性语言中“新”特点的探析

发布时间：2018-05-09 01:14

本文选题：当代工笔花鸟 + 装饰性语言　；参考：《河北师范大学》2017年硕士论文

【摘要】：中国工笔花鸟画在绘画史中的重要性不言而喻,其中装饰性蕴含工笔花鸟绘画发展的始终。装饰性首次展现于仰韶文化彩陶上的象征纹饰,如鱼纹盆,鹿纹盆;青铜时代礼器的狰狞装饰,再到战国时期引魂升天的帛画的纹饰。唐宋五代工笔花鸟独领风骚。形成一定绘画程式,发展完备以独立的姿态登上中国画坛。时至今日,工笔花鸟画展现了当今时代新风尚。而装饰性语言的应用不仅贯穿其中,而且发挥了不可替代的作用。对于处于绘画创作阶段的青年学习者,在研究生学习期间发现,当代工笔花鸟画家越来越多的利用丰富的“装饰性语言”表达当代艺术家极具个性的艺术审美观。其作品充满视觉的表现性,并且得到广泛的认可。一些当代青年画家借助“装饰性”语言淋漓尽致的表达主观情思,这固然是一种艺术的创新,艺术繁荣的表现,但也需要适度防止传统精华的流逝。因此,“如何将传统与创新结合又可以符合当代审美并使工笔花鸟达到一个新高度”是我们当代青年画家更值得研究思考的问题。本文分为四章来阐述。第一章概述装饰性与装饰性语言的内涵。第二章分别从时间与空间上展开进行论述。时间上由古至今,从远古图腾到唐宋院体,再到新工笔画。空间上分别从色彩,构图,线的造型,表现对象,肌理的应用展开叙述分析装饰性语言的“新”特点。第三章分别从传统工笔花鸟继承,外来艺术融合,社会环境背景,等方面的影响进行探析。第四章回归到当代工笔花鸟装饰性的实践和进步上来。如何把握好装饰性语言的新特点,承前启后,开拓创新,成为当代青年画家与学习者的使命。本文采用图文结合对照的方法说明,古今绘画对比论证,列举当代优秀画家作品进行阐述,如,江宏伟,苏百钧,林若熹等画家。结合三年研究生绘画实践活动,搜集实践中的有效信息,将自己的观点依次列举出来汇总,利用探讨模式进行探究。最终抛出问题,展开反思,总结本文的写作目的。
[Abstract]:The importance of Chinese fine brushwork flower-and-bird painting in painting history is self-evident, among which decorative style implies the development of meticulous brushwork flower and bird painting. Decorative first displayed in the Yangshao culture on the symbol of decorative pottery, such as fish grain basin, deer grain basin; bronze age ceremonial ferocious decoration, and then to the warring States period to lead the spirit of silk painting ornaments. The Tang and Song dynasties meticulous brushwork flowers and birds alone. To form a certain painting program and develop to mount the Chinese painting world in an independent manner. To this day, fine brushwork flower-and-bird painting shows the new fashion of the present era. The application of decorative language not only runs through it, but also plays an irreplaceable role. For the young learners who are in the stage of painting creation, during their graduate study, it is found that contemporary painters of fine brushwork more and more use the rich "decorative language" to express the unique artistic aesthetic of contemporary artists. His works are full of visual expressiveness and are widely recognized. Some contemporary young painters express their subjective feelings incisively and vividly with the aid of "decorative" language, which is certainly an artistic innovation and an expression of artistic prosperity, but it is also necessary to prevent the passage of traditional essence. Therefore, "how to combine tradition with innovation can accord with the contemporary aesthetic and make fine brushwork flowers and birds to a new height" is a more worthy of our contemporary young painters to study and think about. This article is divided into four chapters to elaborate. The first chapter summarizes the connotation of decorative and decorative language. The second chapter discusses from time and space respectively. From ancient times to now, from ancient totem to Tang and Song Dynasty, and then to the new fine brushwork. The new features of decorative language are described and analyzed in space from the application of color, composition, line modeling, objects of expression and texture. The third chapter analyzes the influence of traditional fine brushwork flower and bird inheritance, foreign art fusion, social environment background and so on. The fourth chapter returns to the contemporary fine brush flower and bird decorative practice and progress. How to grasp the new features of decorative language, connecting the past and the future, opening up and innovating, has become the mission of contemporary young painters and learners. This article uses the method of picture and text to explain, ancient and modern painting contrast demonstration, enumerates the contemporary outstanding painter work to carry on the elaboration, for example, Jiang Hongwei, Su Baijun, Lin Ruoxi and so on painter. Combined with three years of postgraduate painting practice, collect the effective information in practice, enumerate and summarize their own views in turn, use the exploration model to explore. Finally, the problem is thrown out, the reflection is carried out, and the purpose of this paper is summarized.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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