论现代山水画笔墨之灵与变

发布时间：2018-05-13 05:12

本文选题：现代山水画 + 笔墨　；参考：《四川师范大学》2013年硕士论文

【摘要】：摘要：在东西方文化的相互交流影响日益密切和频繁的今天,古今融合,中西融合,现代山水画笔墨形式更具多样性和丰富性。追求个性化的笔墨语言,强调突出个性,表现自我的独特审美理想和意趣,逐渐成为一种趋势。学习中国山水画,首要的是继承笔墨传统,并以此为基础进行积极的个性化的发展和创新。笔墨之“灵”是创新之本,是指对传统笔墨及其本质的理解和把握。在此基础上,深入生活,师法自然,山水画的笔墨必然会“变”。两者之间是辩证统一的。目前关于山水画笔墨的文章很多,但是大多是把笔墨问题说得玄之又玄,对于具体实践中笔墨的运用和转变问题进行具体细致分析的不多。本文主要通过对几位杰出山水画家笔墨表现方式进行具体的分析研究,并联系自身的创作实践,较为全面地分析传统笔墨在现代山水画中的转型和创造性运用。这不仅可以使我们对山水画笔墨的内在精神、发展过程及其现状有一个比较清晰的认识,而且对于启发我们的创新意识和创作灵感,探索个性化的笔墨语言,都具有一定的指导作用。本文将从中国山水画笔墨的内在精神；近现代山水画笔墨的发展演变和表现形态；笔墨之“变”——传统山水画笔墨的现代转型；我对山水画笔墨之“灵”与“变”的体悟及实践四个方面对现代山水画笔墨之“灵”与“变”的问题作探讨。
[Abstract]:Absrtact: with the increasingly close and frequent interaction between eastern and western cultures, the integration of ancient and modern times, the integration of Chinese and western, the modern landscape painting and ink forms are more diverse and rich. The pursuit of individualized pen and ink language, the emphasis on individuality and the unique aesthetic ideal and interest of self-expression have gradually become a trend. To study Chinese landscape painting, the most important thing is to inherit the tradition of pen and ink, and take this as the foundation to carry on the positive individualized development and innovation. The spirit of pen and ink is the basis of innovation, which refers to the understanding and grasp of traditional ink and its essence. On this basis, deep into life, natural, landscape painting will inevitably "change." There is a dialectical unity between the two. At present, there are a lot of articles about landscape painting, but most of them talk about the problem of brush and ink in a mysterious way, and there are few detailed analysis on the application and transformation of ink and brush in practice. This article mainly through the several outstanding landscape painters' expression way carries on the concrete analysis research, and unifies own creation practice, comparatively comprehensively analyzes the traditional brush and ink in the modern landscape painting transformation and the creative use. This not only enables us to have a relatively clear understanding of the inner spirit, the development process and the present situation of landscape painting, but also to enlighten our innovative consciousness and creative inspiration, and to explore the individualized pen and ink language. All have certain guidance function. This article will from the Chinese landscape painting pen and ink intrinsic spirit, the modern landscape painting brush and ink development evolution and the performance form, the brush and ink "change"-the traditional landscape painting brush and ink modern transformation; I discuss the "spirit" and "change" of modern landscape painting in four aspects: the understanding and practice of "spirit" and "change" of landscape painting.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【共引文献】