晚明陈洪绶人物画研究

发布时间：2018-05-13 06:02

本文选题：晚明 + 陈洪绶　；参考：《山西师范大学》2014年硕士论文

【摘要】：陈洪绶是明末清初的人物画大师，其艺术上追求高古奇骇，变形怪诞的风格，近年来受到众多学者的重视，将其作为研究对象有极大的理论和现实意义。本文在前人研究的基础上，探讨了陈洪绶的时代背景和创作生涯，剖析了陈洪绶人物画的变异风格和时代精神，以及其对后世绘画的影响，揭示了陈洪绶人物画艺术特色和晚明社会文化的内在关联。陈洪绶人物画变异风格的形成一方面源于对个人价值的肯定和认同，，另一方面也是社会因素使然。陈洪绶终生未仕，一生致力于书画艺术，而其又生活于一个商品经济高度繁荣，政治却极为动荡的时代。其人物画渊源于前代技法，又受到同代画家群体的影响，同时也从中国民间年画、壁画和剪纸艺术中吸取营养，题材主要涉及名人贤哲、侍女、佛道人物等。其人物画的艺术特点有：擅长几何化造型和强烈头大小对比；人物画线条圆转柔折、随意挥洒，显得高古隽雅；构图的特点为虚实结合，藏露相宜。究其时代精神，明末“空疏”的士林风气，士人自甘堕落，倡导行乐主义，但又深入民间下层社会，客观丰富了士人创作的题材和境界；阳明心学的流行，掀起了晚明社会思想解放和个性独立的风潮，对士人思想影响很大；晚明文人雅文化和俗文化之间的合流，也对陈洪绶的人物画产生深远影响。陈洪绶的人物画兼具文人画的古拙、明丽、法度、高雅，又融合了民间人物画的写意特点，给明末清初的人物画坛带来了一股新风。陈洪绶作为人物画坛的一个标志，形成了由门人弟子组成的创作群体。本文最后分析了陈洪绶人物画的影响，其对江南地区扬州八怪和海上画派，以及现代的艺术大师，如谢稚柳、傅抱石、程十发等都有巨大影响。在晚明商品经济发达、思潮多元、自由的文化氛围中，出现了陈洪绶这样风格独特的艺术大师，而陈洪缓的人物画也从一个侧面反映着当时的文化与思想潮流。本文力图从晚明的社会文化背景探究陈洪绶人物画变异风格形成的原因，试图通过对陈洪绶人物画的艺术分析来了解陈洪绶人物画所具有的深刻时代精神和文化背景。
[Abstract]:Chen Hongshou is a figure painting master in the late Ming Dynasty and early Qing Dynasty, whose artistic pursuit of high ancient and strange, deformed and grotesque style has been paid attention by many scholars in recent years, and it has great theoretical and practical significance as the object of study. On the basis of previous studies, this paper discusses the background and creative career of Chen Hongshou, analyzes the variation style and spirit of Chen Hongshou's figure painting, and its influence on the painting of later generations. It reveals the inner relation between the artistic characteristics of Chen Hongshou figure painting and the social culture of the late Ming Dynasty. The formation of the variant style of Chen Hongshou figure painting originates from the affirmation and recognition of personal value, on the other hand, it is caused by social factors. Chen Hongshou was devoted to painting and calligraphy all his life and lived in an era of highly prosperous commodity economy and extremely turbulent politics. Its figure painting originated from the techniques of the previous generation, and was influenced by the same generation of painters. At the same time, it also drew nutrients from Chinese folk New year paintings, murals and paper-cut art. The subject matter mainly involved celebrities and philosophers, waitresses, Buddhist and Taoist figures and so on. The artistic characteristics of its figure painting are: good at geometric modeling and strong head size contrast; figure painting lines round and flexible, free sprinkling, appear high ancient Jun elegant; composition of the characteristics of the combination of reality, suitable to hide. The spirit of the times shows that in the late Ming Dynasty, the "empty and sparse" Scholars were willing to fall and advocated the practice of music, but they also went deep into the lower folk society, which objectively enriched the subjects and realms of the scholars' creation, and the popularity of Yangming's study of the mind, The social ideological emancipation and personality independence of the late Ming Dynasty had a great influence on the thought of scholars, and the combination of elegant culture and vulgar culture in the late Ming Dynasty also had a profound impact on Chen Hongshou's figure painting. The figure painting of Chen Hongshou has the ancient clumsy, bright, legal, elegant, and combines the freehand brushwork characteristics of the folk figure painting, which brings a new wind to the figure painting world in the late Ming and early Qing Dynasty. Chen Hongshou, as a symbol of character painting, formed a creative group composed of disciples. Finally, this paper analyzes the influence of Chen Hongshou figure painting, which has great influence on Yangzhou eight strange and sea painting schools in the south of the Yangtze River, as well as modern masters of art, such as Xie Zhiliu, Fu Baoshi, Cheng Shifa and so on. In the cultural atmosphere of the late Ming Dynasty, in which the commodity economy was developed, the trend of thought was diverse and free, there appeared such unique artistic masters as Chen Hongshou, and Chen Hong's gentle figure painting also reflected the cultural and ideological trend of that time from one side. This paper tries to explore the causes of the variant style of Chen Hongshou figure painting from the social and cultural background of the late Ming Dynasty, and tries to understand the profound spirit of the times and the cultural background of Chen Hongshou figure painting through the artistic analysis of Chen Hongshou figure painting.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

【参考文献】