1950年代至1980年代国内宣传画中的知识分子形象

发布时间：2018-05-13 10:32

本文选题：知识分子形象 + 宣传画　；参考：《中央美术学院》2015年硕士论文

【摘要】：本文以1950年代至1980年代的国内宣传画为基础材料,一改以往经验中观看宣传画的角度,以画面中一直以来被忽略的“知识分子形象”为视觉中心,试图发现该群体形象在这一时期的图像中的生存原则与形象秩序。围绕着“知识分子形象”在宣传画中的多种“出场”形式,本文以中共知识分子话语为主要线索,建立起了“知识分子形象”与国家话语、“工农兵形象”、知识分子专业画家、工农兵业余画家等事物与角色之间的关系。通过对图像的研究得出了较为完整的知识分子在新中国成立之后的命运图景。在对知识分子形象的定位上,本文并不着重于描述知识分子在图像中的附属地位,而是以知识分子本体为关怀,思考知识分子群体在图像以及现实中存在的空间与形态,由此唤起人们对知识分子在宣传画中的多重形象以及由图像反映出的知识分子集体命运的关注。
[Abstract]:This paper, based on the domestic posters from 1950s to 1980s, changes the angle of viewing posters from previous experience and takes the "intellectual image", which has been neglected in the picture, as the visual center. This paper tries to find out the survival principle and image order of the group image in this period. Focusing on the various "appearance" forms of "intellectual image" in posters, this paper takes the Chinese Communist Party's intellectual discourse as the main clue, and establishes the "intellectual image" and the "image of the workers, peasants and soldiers". The relationship between intellectuals, professional painters, workers, peasants and soldiers, amateur painters, and their roles. Through the study of the image, a complete picture of the fate of intellectuals after the founding of New China was obtained. In the positioning of the image of intellectuals, this paper does not focus on describing the subordinate position of intellectuals in the image, but takes intellectual ontology as the concern, thinking about the space and form of intellectual groups in images and in reality. This arouses people's attention to the multiple images of intellectuals in posters and the collective fate of intellectuals reflected by images.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J218.1

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