观看之道:《平山堂图志》中的地景塑造与政治权力

发布时间：2018-05-15 09:18

  本文选题：《平山堂图志》 + 版画　； 参考：《南京艺术学院学报(美术与设计)》2017年01期

【摘要】：《平山堂图志》是研究清代版画及社会文化的重要书籍。笔者在回顾版画史研究的成果与限制后,尝试从《平山堂图志》出发,依据图像本身所提供的资料条分缕析,将观看关系注入权力的元素,从而进入反思的范畴,即版画预设的观者如何在观看之中重新赋予地方名胜以新的意义,彰显出地景塑造与政治权力之间的微妙关系。笔者认为,《平山堂图志》作为歌颂太平盛世的政治产物,不仅是乾隆皇帝南巡扬州的"旅游指南",更是大清皇室、官僚等权力机构对于行政、文化乃至帝国秩序的想象。
[Abstract]:Pingshan Tang Tu Zhi is an important book for the study of Qing Dynasty prints and social culture. After reviewing the achievements and limitations of the study on the history of printmaking, the author tries to set out from "Pingshan Tang Tu Zhi", according to the information provided by the image itself, to divide the viewing relationship into the elements of power, so as to enter the category of reflection. That is, how the preset viewer of printmaking gives new meaning to the local scenic spots in the viewing process, which reveals the subtle relationship between landscape shaping and political power. The author thinks that as the political product of pingshan Tang Tu Zhi, it is not only the "tourist guide" of Emperor Qianlong's southern tour of Yangzhou, but also the imagination of the imperial family, bureaucrats and other power institutions about administration, culture and even imperial order.
【作者单位】： 广州美术学院美术教育学院;
【分类号】：J217
，

本文编号：1891863