论人物画创作中景、物的经营

发布时间：2018-05-15 20:26

本文选题：人物画 + 景物　；参考：《南京艺术学院》2014年硕士论文

【摘要】：中国画讲究意境，意境是一种情与景的融合。在人物画的画面中意境的体现可以表现在很多方面，比如：对画面中人物表情、姿态的细节刻画；把握画面色调进行主观处理；布白的特殊安排；还有画面中景物的安置等。在我看来一幅人物画作品应该把人物与环境融合为一体进行整体把握，，把人物的精神表现作为主要追求，注重对画面意境的营造。因此本文主要从构图的需要和意境的需要两方面来分析人物画作品中的配景，通过论述人物画配景的理论依据,分析古代优秀人物画作品和现当代人物画作品的图式来探讨人物画的艺术表现，并结合自己的一系列创作谈配景在我的作品中的应用。
[Abstract]:Chinese painting pays attention to the artistic conception, the artistic conception is a kind of emotion and the scene fusion. The embodiment of artistic conception in the painting of figure painting can be shown in many aspects, such as: the detailed depiction of the expression and posture of the characters in the picture; the subjective processing of grasping the color of the picture; the special arrangement of the white cloth; and the placement of the scene in the picture. In my opinion, a figure painting should integrate the characters and the environment as a whole, take the spirit of the characters as the main pursuit, and pay attention to the creation of the artistic conception of the picture. Therefore, this article mainly from the composition and the artistic conception needs two aspects to analyze the figure painting works in the matching scene, through discusses the figure painting matching scene theory basis, This paper discusses the artistic expression of figure painting by analyzing the schemata of ancient outstanding figure painting works and contemporary figure painting works, and discusses the application of scene matching in my works with a series of creation.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

【参考文献】