和林格尔东汉壁画墓中的乐舞百戏

发布时间：2018-05-17 00:42

本文选题：乐舞百戏 + 厚葬风俗　；参考：《内蒙古师范大学》2015年硕士论文

【摘要】：本文的研究对象是和林格尔东汉壁画墓中的乐舞百戏图像,汉代的乐舞百戏受统治者的影响,音乐舞蹈在社会各阶层得到普遍重视,儒家思想在统治者的推崇下使汉代的乐舞百戏得到充裕的发展。宫廷乐舞、生活乐舞随着社会政治经济文化的发展和变化,宫廷乐舞规模增大,歌女舞姬充斥豪门,官僚、地主、贵族、富商这些封建地主阶级在日常生活和宴饮歌舞中自娱,成为一种流行,而和林格尔东汉墓室壁画中的乐舞百戏正是当时社会的真实写照。论文总共分四个部分,导论部分对选题意义、研究现状、研究方法等做了说明,对以往的研究成果做了罗列;第二部分对乐舞百戏图像分析,通过乐舞百戏的图片分析了解表演形式、演出场地、表演者的服饰;第三部分为文章的中心环节,通过了解乐舞百戏图像看内涵,反映的现实生活、统治者的推崇、祈禳的追求等;最后一部分写乐舞百戏的艺术成就。乐舞百戏代表着当时社会形态,“乐舞百戏”图像所反映的现实生活,是来源于生活中的歌舞杂技,民间艺术与现实生活的关系,展现死者生前穷奢极欲,死后追求浪漫美好的极乐世界,同时我们也看到了汉代舞蹈、乐器、百戏艺术的发展与辉煌。和林格尔东汉墓室壁画的存在价值不仅仅是给予我们探索艺术起源的线索,也让我们了解北方流行的乐舞百戏与汉代时中原无殊,文化艺术保持着密切关系,也让我们看到今天的许多杂技表演技术的延续与传承。
[Abstract]:The object of study in this paper is the music and dance hundred drama images in the murals of the Eastern Han Dynasty. The music and dance of the Han Dynasty are influenced by the rulers, and the music and dance are generally attached importance to in all social strata. Confucianism in the rulers of the praise of the Han Dynasty music and dance 100 drama to get abundant development. With the development and change of social, political, economic and cultural development, the scale of palace music and dance increased, and women and dancers were filled with rich people, bureaucrats, landlords, aristocrats, rich merchants, and feudal landlords who entertained themselves in their daily lives and in their banquets, singing and dancing. It has become popular, and the music and dance in the murals of the Eastern Han Dynasty are the true portrayal of the society at that time. The paper is divided into four parts, the introduction to the significance of the topic, research status, research methods and so on, the previous research results are listed; the second part of the music and dance hundred drama image analysis, The third part is the central link of the article, through understanding the connotation of the music and dance hundred drama images, reflecting the real life, the worship of the rulers. The last part is about the artistic achievement of music and dance. The music and dance play represents the social formation of the time. The real life reflected in the picture of "music and dance 100 drama" is derived from the singing and dancing acrobatics in life, the relationship between folk art and real life, and shows the extravagant desire of the deceased before his death. At the same time, we also saw the development and brilliance of dance, musical instruments and the art of hundred operas in the Han Dynasty. The existence value of the murals in the Eastern Han Dynasty not only gives us clues to explore the origin of art, but also makes us understand that the popular music and dance operas in the North have a close relationship with the Central Plains in the Han Dynasty. Let us also see today's many acrobatic performance technology continuation and inheritance.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J218.6

【参考文献】