通过《葛稚川移居图》看王蒙的取舍观

发布时间：2018-05-17 11:26

本文选题：王蒙 + 取舍　；参考：《上海师范大学》2017年硕士论文

【摘要】：“以元人笔墨,运宋人丘壑,而泽以唐人气韵,乃为大成。”在本科的学习过程中,就对王蒙的山水情有独钟,他的用笔技法相当高妙,皴法多样,披麻解索并用,晚年则用自创的牛毛皴,点苔也是各种点法混用。他画的山水树木繁多、丛林处处、回环重叠、千岩万壑、烟霭苍茫、曲尽山林幽致。而王蒙在师法董、巨之后,又做出了变格,一是在章法上,二是在笔墨上。王蒙是山水学习阶段一位比较值得学习的画家,他的山水构图繁密,笔墨千变万化,又取景于自然,对以后的写生、创作都有很大的帮助。通过对王蒙山水中比较特别的一幅画《葛稚川移居图》的分析,从取舍前人作画之法、取舍自然山水之景到创作胸中丘壑,借鉴王蒙对画面的取舍处理,整理总结对自己的创作有所帮助,从而慢慢寻找自己在山水创作中的个性化表现。
[Abstract]:"with Yuan Dynasty's pen and ink, transport Song people Qiu Chi, and Ze to Tang people's charm, is for big Cheng." In the course of undergraduate study, he has a special love for Wang Meng's mountains and rivers. His pen technique is very good, his chapping method is diverse, he drapes hemp to solve the rope, and in his later years he uses the self-made cattle hair chapped, and the moss is mixed with a variety of points. He painted a wide range of mountains and rivers and trees, jungle everywhere, ring overlap, rocks, smoke and mist, qu du mountain forest. And Wang Meng in the Dafa Dong, Giant, and made a change, one is in the rules, the other is on the ink. Wang Meng is a painter who is worth studying in the study stage of landscape. His composition of landscape is numerous, his pen and ink are varied, and his scenery is in nature, which is of great help to the later sketching and creation. Through the analysis of a special painting in Wang Meng landscape, "GE Zhichuan's migration picture", from the method of choosing and selecting the painting of predecessors, from the landscape of natural landscape to the mound in the creative chest, we can learn from Wang Meng's treatment of the picture. Collation and summary of their own creation to help, and slowly find their own in the landscape creation of personalized performance.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

【参考文献】