意象油画形式语言研究

发布时间：2018-05-17 14:50

本文选题：意象 + 文化特质　；参考：《南昌大学》2014年硕士论文

【摘要】：意象源与中国古代传统美学，油画艺术发展到今天，意象油画的产生条件是符合中国文化内涵的表现，反映出中国的审美意境追求。在中国悠久的历史文化背景和哲学理论中，，意象油画得到了一种自然发展体验。意象油画也不是单一的指某个流派或风格样式，它是从西方油画在经过中国本土文化浸染，不断结合的过程中形成的，它具有很深的中国意味。意象油画的形式语言，带有艺术家个人心性和修养，主客观意识反应的，成为带有艺术创作者审美品格的表达。意象油画，在经过中国传统文化和西方外来文化碰撞交融下，产生了具有中国民族本土特色的表现形式。全文共分五章，第一章阐述意象的起源和文化特质，以及意象的美学价值。为意象油画的生成提供理论的依据。第二章阐述意象油画的文化背景，对它在中国的产生和界定，以及它的一些图式特征和状况做一些分析发现，同时举例说明意象油画的一些图式和状况。第三章是论文的重点部分，通过对意象油画的形式语言研究，解析意象油画语言的特点和意趣，形式特征。第四章是在第三章的基础上阐述意象油画的审美价值，包括时代性的审美价值，和研究意象油画价值的魅力。本意就是想通过意象油画的审美价值和时代性反映当今艺术创作中的文化认知，和它在中国艺术之中存在合理性的现象。第五章，艺术家处于的时代，意象油画形式语言对油画创作的思考。它与当下社会发展所带来的个人思考与面临的油画创作联系很大，意象油画创作在当今的社会语境里的认知，可以使我们更加清晰的理解中国文化的精神，同时可以更好的抒发自己的情感。意象油画的发展也有助于提高中国油画在世界文化中的地位，也可以让世界更好的了解中国的传统文化精神。在意象油画创作里，我们要继承和发扬中国传统绘画里的意象精神，大胆创造新的面貌与图式，有助于中国本土油画对自身的思考与外面世界的油画艺术的融合，让属于本民族的油画语言的立于世界文化之林。对今后中国油画乃至世界油画的创新和发展都有着启发价值和推动作用。意象油画在国际上也会得到越来越多的关注和认同，关于它的探讨和实践也会朝着更加多元化和建设性的方向发展。
[Abstract]:Image source and Chinese ancient traditional aesthetics, oil painting art developed to today, the condition of image oil painting is in conformity with the expression of Chinese cultural connotation, reflecting the pursuit of Chinese aesthetic conception. In China's long historical and cultural background and philosophical theory, image oil painting has got a kind of natural development experience. Image oil painting is not single. Refers to a school or style style, which is formed in the process of Western oil painting in the process of continuous integration through Chinese local culture. It has a profound Chinese meaning. The form language of image oil painting, with the personal character and accomplishment of the artist, the subjective and objective consciousness, has become the expression of the aesthetic character of the artistic creators. The painting, through the collision and blending of Chinese traditional culture and Western foreign culture, produces a form of expression with the native characteristics of the Chinese nation. The full text is divided into five chapters. The first chapter describes the origin and cultural characteristics of the image, as well as the aesthetic value of the image. It provides a theoretical basis for the generation of image oil painting. The second chapter describes the culture of image oil painting. In the background, it makes some analysis and discovery on the emergence and definition of China, as well as some features and conditions of its schema. At the same time, it illustrates some patterns and conditions of image oil painting. The third chapter is the key part of the paper. Through the study of the form language of the image oil painting, the features and interest, the form features of the oil painting language are analyzed in the fourth chapter. It is on the basis of the third chapter to elaborate the aesthetic value of the image oil painting, including the aesthetic value of the times and the charm of the value of the image oil painting. The original meaning is to reflect the cultural cognition in the contemporary art creation through the aesthetic value and the times of the image oil painting, and the rationality of it in the Chinese art. The fifth chapter, art In the era of the artist, the thinking of oil painting in the form language of the image oil painting. It is closely related to the individual thinking and oil painting created by the present social development. The cognition of the image oil painting in the present social context can make us understand the spirit of Chinese culture more clearly, and can express ourselves better at the same time. The development of image oil painting also helps to improve the position of Chinese oil painting in the world culture and the world to better understand the Chinese traditional cultural spirit. In the creation of image oil painting, we should inherit and carry forward the spirit of image in Chinese traditional painting, create a new appearance and schema, and help the Chinese native oil. The fusion of painting to its own thinking and the painting art of the outside world makes the oil painting language of the nation stand on the world's cultural forest. It has enlightening value and impetus to the innovation and development of the future Chinese oil painting and even the world oil painting. Discussion and practice will also develop towards a more diversified and constructive direction.
【学位授予单位】：南昌大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

【参考文献】