纽约地铁涂鸦艺术中的文化政治

发布时间：2018-05-17 21:50

本文选题：涂鸦艺术 + 纽约地铁　；参考：《中国美术学院》2014年硕士论文

【摘要】：当代涂鸦艺术已经深入到我们生活的方方面面，包括我们的生活空间、服饰、日常用品、商业标牌等等都成为涂鸦艺术衍生的“墙壁”。如果没有涂鸦艺术的参与，我们的生活必会失色很多。但涂鸦艺术在当代艺术史中的重要性并不被认可，尽管它出现在美国纽约这个20世纪的世界艺术之都。为什么它处处存在于我们的身边却又一直被忽略？追溯它的起源，涂鸦艺术兴起于20世纪60年代的纽约地铁，由社会底层的青少年们发起，成为他们表达自我的一种特殊的艺术形式，是Hip-Hop文化的组成部分。但这场轰轰烈烈的涂鸦运动却一直遭到政府的镇压，直至1989年被纽约政府斥巨资扑灭——最后一辆满载涂鸦的地铁停运。本文着眼于分析纽约地铁涂鸦艺术中的文化政治，去探究这场地铁涂鸦运动产生的时代、社会根源，以及其艺术表达形式之下折射的社会文化意义。从涂鸦手的特定人群——纽约青少年、涂鸦场所的特定——纽约地铁，两方面阐释这场运动背后的政治、文化诉求，以及促使这场运动发展壮大的驱动力，从而使得纽约地铁这一公共空间通过涂鸦艺术的形式成为政治斗争和自由表达的场所。虽然涂鸦艺术在80年代末被当局从纽约地铁上清除殆尽，但它已然繁衍开花，衍生出如今的“街道艺术”（StreetArt）。无论它是不是被主流社会所接纳，它带给我们的影响都将继续，它最初起源在艺术面貌之下的精神一直都在焕发。
[Abstract]:Contemporary graffiti art has penetrated into all aspects of our life, including our living space, clothing, daily necessities, commercial signs and so on, and become the "wall" derived from graffiti art. Without the participation of graffiti art, our life would be a lot worse. However, the importance of graffiti art in the history of contemporary art is not recognized, even though it appears in New York, the 20th century art capital of the world. Why does it exist everywhere around us but is ignored all the time? Tracing back to its origin, graffiti art rose in the New York subway in the 1960s, initiated by the young people at the bottom of the society, and became a special art form for them to express themselves. It is a part of the Hip-Hop culture. But the raging graffiti movement was stifled by the government until 1989, when the New York government put it out-the last subway full of graffiti. This paper focuses on the analysis of cultural politics in New York subway graffiti art, to explore the generation of the subway graffiti movement, the social root, and the social and cultural significance reflected by its artistic expression. In terms of the specific crowd of graffiti people-New York teenagers, the specific New York subway in graffiti venues, the political and cultural demands behind the movement, and the driving forces behind the movement's growth, This makes the New York subway a public space through the form of graffiti art to become a political struggle and free expression. Although graffiti was wiped out of the New York subway in the late 1980s, it has thrived, spawning what is now called Street Art. Whether it is accepted by the mainstream society or not, its influence on us will continue.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

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