浅谈我在工笔人物画创作中遇到的若干问题

发布时间：2018-05-18 03:01

本文选题：当代工笔人物画 + 创作　；参考：《辽宁师范大学》2014年硕士论文

【摘要】：当代中国画创作面临前所未有的发展机遇，尤其是工笔人物画，需要创作者以全新的艺术视角来对待这一画种，，这对从事工笔人物画创作的当代画家来说无疑是个重大挑战。那么，在中国画迅速发展的现阶段，工笔人物画的创作该如何在本民族特色的基础上创新？我觉得应对这样一些问题进行深入思考。对我们而言，现代工笔人物画应该在传统形态的基础上，利用“借古开今”、“洋为中用”来进行创新，那么在创新过程中应该如何面对出现的种种问题呢？本文则从构思、立意、绘制三方面对我在工笔人物画创作中遇到的一些问题从理论与实践的角度进行分析论述。
[Abstract]:The contemporary Chinese painting creation faces unprecedented development opportunity, especially the fine brushwork figure painting, needs the creator to treat this kind of painting with the brand-new artistic angle of view, this is undoubtedly a great challenge to the contemporary painters engaged in the fine brushwork figure painting creation. So, at the present stage of the rapid development of traditional Chinese painting, how should the creation of meticulous figure painting be innovated on the basis of the national characteristics? I think we should think deeply about such problems. For us, modern meticulous figure painting should be based on the traditional form, using "borrowing the past to open the present", "foreign use" to carry out innovation, so how to face the various problems in the process of innovation? This paper analyzes and discusses some problems I encountered in the creation of meticulous figure painting from the angle of theory and practice from the three aspects of conception, conception and drawing.
【学位授予单位】：辽宁师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

【参考文献】