论陈师曾的花鸟画题材及其影响

发布时间：2018-05-20 05:51

本文选题：陈师曾 + 文人画　；参考：《陕西师范大学》2015年硕士论文

【摘要】：陈师曾在绘画理论上的阐述、绘画实践上的创新以及他在美术活动等方面都有着“不朽”的贡献。他站在一个理性客观的角度,对中国文人画、中国传统文化做出一个理性的判断,并将其运用发挥到绘画实践中,他的艺术思想不仅影响了五四运动前后的一代大师,同时,对近百年来中国画坛传统绘画的发展都起到了巨大的作用。本文主要内容以论述陈师曾的花鸟画题材和其对当时的影响为主,共分为五个部分。第一个部分是清末民初花鸟画坛的现状,主要从清末民初社会文化思潮入手,进而引出清末民初花鸟画画坛在此社会思潮的影响下所呈现的一种状态,通过花鸟画坛的现状分析,将陈师曾生活的时代特色展露出来,为下面陈师曾的花鸟画艺术等做铺垫。第二部分是陈师曾花鸟画分期,此部分主要分为早、中、晚三个阶段来分析,早期陈师曾继承家学,中期到日本学习,接触到西方的自然科学以及西方艺术,同时结识鲁迅、李叔同等人,都对其影响较大；晚期则是陈师曾回国后的十几年,其艺术实践、理论等都得到一定的发展。第三部分是陈师曾的花鸟画题材描述,将陈师曾的花鸟画总体风格介绍分析。第四部分则是陈师曾的绘画思想以及其他艺术表现,本部分主要对陈师曾的绘画理论做一定介绍,同时将其山水、人物等艺术实践做一个系统的简单整理。第五部分是陈师曾的花鸟画在当时的影响,主要就齐白石、王梦白、张肇铭等人所受陈师曾的影响进行介绍,同时将陈师曾的文人画理论、花鸟画实践创新等对现代绘画艺术的影响进行阐述。
[Abstract]:Chen Shi has made immortal contributions in painting theory, painting practice and art activities. Standing in a rational and objective angle, he made a rational judgment on Chinese literati painting and Chinese traditional culture, and applied it to painting practice. His artistic thought not only affected the generation of masters before and after the May 4th Movement, but also, at the same time, It has played a great role in the development of Chinese traditional painting in the past hundred years. The main content of this paper is to discuss the theme of Chen Shizeng's flower-and-bird painting and its influence on the time, which is divided into five parts. The first part is the current situation of the flower-and-bird painting altar in the late Qing Dynasty and the early Republic of China. It mainly starts with the social and cultural trends of thought in the late Qing Dynasty and the early Republic of China, and then leads to a state of the flower and bird painting world in the late Qing Dynasty and the early Republic of China under the influence of this social trend of thought. Through the analysis of the present situation of flower and bird painting altar, the characteristics of Chen Shizeng's life are revealed, which paves the way for Chen Shizeng's flower-and-bird painting art. The second part is about Chen Shizeng's flower-and-bird painting stages. This part is mainly divided into three stages: early, middle and late. In the early stage, Chen Shizeng inherited the family studies, went to Japan to study in the middle of the period, came into contact with western natural science and western art, and got to know Lu Xun at the same time. Li Shutong and others all have a great influence on it; in the late period, Chen Shizeng returned to China more than ten years, his art practice, theory and so on have been developed to a certain extent. The third part is the theme description of Chen Shizeng's flower-and-bird painting, introducing and analyzing the general style of Chen Shizeng's flower-and-bird painting. The fourth part is Chen Shizeng's painting thought and other artistic expression, this part mainly introduces Chen Shizeng's painting theory, at the same time makes its landscape, figure and so on artistic practice a system simple arrangement. The fifth part is the influence of Chen Shizeng's flower-and-bird painting at that time. It mainly introduces Qi Baishi, Wang Mengbai, Zhang Zhaoming and so on. At the same time, it introduces Chen Shizeng's theory of literati painting. The influence of the practice innovation of flower and bird painting on modern painting art is expounded.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J212

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