用“刀锋”撞击“视觉”—木刻版画的艺术语言对当代平面设计的延展性运用

发布时间：2018-05-20 22:04

本文选题：木刻版画 + 平面设计　；参考：《西南民族大学》2014年硕士论文

【摘要】：如今，似乎可以用“穷途末日”这四个字来描述中国版画的发展现状。这样的论断可能还为时尚早或有些“过分”。但我们不得不正视这样一个问题，就是版画的创作队伍，尤其是活跃在基层的版画创作队伍正逐渐消失。版画市场也正逐渐呈现萎缩之势。版画已经成为大众口中的“冷门”艺术。所以，如何能够使版画找回昔日的光辉，，如何能够让大众重新审视它，认可它，接纳它，并热爱它，是版画艺术家以及我们版画专业的学生亦或版画爱好者应该深刻思考的问题，更是我们的职责所在。本文通过剖析木刻版画“被使用”的问题，透过版画各个主要历史时期的发展历程以及相应的功能性和艺术性的运用与分析。思考木刻版画在当今环境下的发展现状。并对宣扬和传承我国木刻版画的悠久历史做出展望。提出如何使版画回归本土，回归功能性。透过木刻版画的实用性层面，将木刻版画的艺术语言与现代平面设计进行相互融合，使平面设计通过木刻版画元素和思维的介入，增添新的活力和表现形式。更重要的是，木刻版画艺术借助平面设计这一实用艺术媒介，而更能直接和深刻的走入全民大众的视野。成为大众生活的艺术。二者的有机结合，促使了平面设计领域元素的多样化。同时，带给木刻版画艺术新的发展契机。进而能够使渐渐落寞的版画艺术重新走入辉煌的艺术舞台。
[Abstract]:Today, it'seems possible to describe the development of Chinese prints with the word "the end of the poor". Such a conclusion may be premature or somewhat "excessive". However, we have to face up to the problem that the creative team of prints, especially those active at the grassroots level, are gradually disappearing. Print market is also gradually showing a shrinking trend. Printmaking has become a popular art. So, how can we get print back to its former glory, how can we get the public to re-examine it, recognize it, accept it, and love it? Printmaking artists and our students or printmaking enthusiasts should think deeply, and it is our duty to do so. By analyzing the problem of "being used" in woodcut printmaking, this paper analyzes the development of woodcut in each main historical period and the application and analysis of its function and artistry. Consider the development of woodcut prints in today's environment. And preaches and inherits our country woodcut engraving the long history to make the prospect. Put forward how to make printmaking return to native land, return to function. Through the practical level of woodcut printmaking, the art language of woodcut engraving and modern graphic design are combined together, so that graphic design adds new vigor and expression form through the intervention of woodcut elements and thinking. More importantly, woodcut art, with the help of graphic design as a practical art medium, can directly and profoundly enter the field of vision of the whole people. Become the art of mass life. The organic combination of the two promotes the diversification of elements in graphic design field. At the same time, it brings a new opportunity for the development of woodcut printmaking art. Then can make gradually lonely print art into the brilliant art stage.
【学位授予单位】：西南民族大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J217

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