油画色彩语言之美感的研究

发布时间：2018-05-21 03:12

本文选题：油画 + 色彩　；参考：《西北民族大学》2013年硕士论文

【摘要】：艺术家的作用在于用他们丰富灿烂的色彩记录最美的自然景物,色彩则是油画语言精神的载体,油画色彩语言的发展自文艺复兴时期开始经历了一个曲折而漫长的过程,在发展过程中,由于对色彩认识度的不同他们对色彩美的体现程度也有所不同,色彩结构从单一的“色彩和谐”到“色彩丰富”和“色彩和谐”为一体,油画色彩语言的发展中也表现出各种流派对色彩美的不同看法,但整体来看都大同小异,认为,“美就是变化中表现统一”。那么,好的油画作品具有它独特的色彩美感因素所组成。绘画色彩结构是由条件色、色彩的比率、光源色、色彩的位置色彩的面积大小、环境色、与冷暖关系等诸多因素组成。形成一个丰富和谐的效果,油画语言色彩美感的创造必须结合形成色彩美感的基本要素,色彩的形式美感、色彩“对比与和谐”法则、色彩节奏感、色彩调合等。而这些要素都有着各自的美感的规律。然而很多作画者对色彩理论的一些错误理解,在他们作品中出现一些“有色无彩”的现象。本文通过对西方绘画色彩理论的概述和色彩的分析、结合形成色彩美感的因素、色彩的形式美感、色彩“对比与和谐”法则、色彩的节奏感、色彩调和等对油画色彩语言的色彩美感的规则进行深入分析。
[Abstract]:The role of artists is to use their rich and brilliant colors to record the most beautiful natural scenery. Color is the carrier of the spirit of oil painting language. The development of oil painting color language has experienced a tortuous and long process since the Renaissance. In the process of development, due to the difference in their understanding of color, their representation of color beauty is also different. The color structure has changed from a single "color harmony" to "color rich" and "color harmony" as a whole. In the development of color language of oil painting, different schools have different views on color beauty, but on the whole, they all have the same views, and think that "beauty is unity of performance in change". Well, a good oil painting has its unique color aesthetic elements. The color structure of painting is composed of several factors, such as conditional color, color ratio, light source color, color area size of color position, environment color, and the relationship between color and cold and warm and so on. To form a rich and harmonious effect, the creation of the aesthetic sense of color in oil painting language must be combined with the basic elements of forming the aesthetic sense of color, the aesthetic sense of form of color, the rule of "contrast and harmony" of color, the sense of color rhythm, the color blending and so on. These elements all have their own laws of aesthetic feeling. However, many painters misunderstand the theory of color, and there are some phenomena of "color without color" in their works. In this paper, the author summarizes the color theory of western painting and analyzes the color, combining the factors that form the aesthetic feeling of color, the aesthetic feeling of form of color, the rule of "contrast and harmony" of color, the rhythm of color. The color harmony and so on carries on the thorough analysis to the oil painting color language color esthetic feeling rule.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

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