文徵明与他的桃源情结

发布时间：2018-05-21 07:04

本文选题：文徵明 + 桃源绘画　；参考：《中央美术学院》2017年硕士论文

【摘要】：东晋陶渊明《桃花源记》面世以来,其文中描绘的带有世外仙境意味的"桃花源"成为了中国诸多文人心目中的"乌托邦",历代以来,以"桃花源"为题材的绘画创作不在少数,其中在明代中晚期的江南地区十分盛行,文徵明作为明代中晚期的江南地区文人圈的核心人物,曾先后创作过数幅"桃源"题材的作品。本文以文徵明的"桃源绘画"为主要研究对象,首先对陶渊明《桃花源记》文中所描写的"桃源"意向进行分析,认为陶渊明在《桃花源记》中追求着远离世俗社会,自由平等的美好桃源世界,其次探讨了"桃源绘画"的发展脉络,举例对比历代桃源绘画的异同,最后梳理了文徵明"桃源绘画"的创作时间以及陶诗书写情况,着重分析了《桃园别境图》和《桃源问津图》的画面语言和意境表现,结合文徵明的生平际遇,归纳出文徵明的"桃源情结"——回到属于自己的艺术田园,对安和美好生活的憧憬。明朝中晚期的江南地区,像文徵明一样经世之志受挫,科考辄斥的失意文士并不少见,他们入仕为官的愿望得不到实现,或者看透了官场的黑暗,选择隐居的亦不在少数,这一类文人对陶渊明诗境中营造的"桃源"这一隐居避世含义的题材有着特殊的情结,从而大量创作《桃源图》以此抒发自己志向的高洁,是明朝中后期"桃源绘画"盛行的原因。
[Abstract]:Since the publication of Tao Yuanming of the Eastern Jin Dynasty, the "Peach Blossom Source", which is described in his text with the flavor of the world's fairyland, has become the "utopia" in the minds of many Chinese literati. Since the past dynasties, There are not a few paintings with "Taohuayuan" as the subject matter. Among them, it is very popular in Jiangnan area in the middle and late Ming Dynasty. Wen Zhengming is the core figure in the literati circle of Jiangnan area in the middle and late Ming Dynasty. Has created a number of "Taoyuan" theme works. This article takes Wen Zhengming's Taoyuan painting as the main research object, firstly analyzes the intention of "Taoyuan" described in the text of Tao Yuanming's the Story of Peach Blossom, and thinks that Tao Yuanming is pursuing to stay away from the secular society in the Book of Peach Blossom. Secondly, it discusses the development of Taoyuan painting, compares the similarities and differences of Taoyuan painting in past dynasties, and finally combs the writing time and writing situation of Taoyuan painting by Wen Zhengming. Focusing on the analysis of the picture language and artistic conception of Taoyuan and Taoyuan, combined with Wen Zhengming's life experience, he concluded that Wen Zhengming's "Taoyuan complex"-to return to his own art pastoral garden, A vision for Ann and a better life. In the south of the Yangtze River in the middle and late Ming Dynasty, as in Wen Zhengming, it was not uncommon for frustrated literati to experience the world like Wen Zhengming. Their desire to become an official was not realized, or they saw through the darkness of the officialdom, and there were not a few who chose to live in seclusion. This kind of literati has a special complex on the theme of "Taoyuan", which is the theme of seclusion and shelter, which is created in Tao Yuanming's poetic conception, so as to create "Taoyuan Pictures" in large quantities to express his ambition and cleanness. It is the reason why Taoyuan painting prevailed in the middle and late Ming Dynasty.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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