新世纪以来国内中晚明诗画关系研究述评——以个案型研究为考察范围

发布时间：2018-05-23 13:43

本文选题：诗画关系 + 中晚明　；参考：《文化艺术研究》2017年02期

【摘要】：中晚明时期是我国古典诗画关系发展较为突出的历史阶段之一。对中晚明诗画关系的研究现状进行考察与反思,是学界进行深入拓展的必要环节。新世纪以来,国内学者有关此方面的专题型考察,根据研究目的可划分为"因画及诗""因诗及画""诗画同论"三类。每一类均有不同学者在不同程度上的关注与探讨,展现了新时期国内学者对中晚明诗画关系研究的基本形态。其中折射出的学术效应及研究展望,主要在于:断代研究整体滞后,有待于更多学人的广泛参与;诗画关系研究需具备打破学科局限的"跨学科"意识;研究对象过于集中,存在较大可开拓空间;创作与理论需相结合。
[Abstract]:The mid-late Ming Dynasty is one of the most prominent historical stages of the relationship between classical poetry and painting in China. It is necessary for the academic circles to explore and reflect on the research status of the relationship between poetry and painting in the middle and late Ming dynasties. Since the new century, the domestic scholars' research on this aspect can be divided into three categories according to the purpose of the research: "because of painting and poetry", "because of poetry and painting", "on the same theory of poetry and painting". Each category has different scholars in different degrees of concern and discussion, showing the new period of domestic scholars on the relationship between the late Ming Dynasty poetry and painting of the basic form. The academic effect and research prospect reflected from the study mainly lie in the following aspects: the whole research of the dynasties is lagging behind, and more scholars should participate in the study; the research on the relationship between poetry and painting should have the consciousness of breaking the limitation of the subject, and the research object is too concentrated. There is a great space to open up; creation and theory need to be combined.
【作者单位】：南京大学文学院;南京师范大学文学院;
【基金】：南京大学博士研究生创新创意研究计划项目“中晚明诗论与画论会通研究”(项目编号:2016001)的阶段性成果
【分类号】：J212

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