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石涛山水画创新研究

发布时间:2018-05-23 13:55

  本文选题:石涛 + 山水画 ; 参考:《江苏师范大学》2013年硕士论文


【摘要】:石涛,清初四僧之一,作为非正统派其中一员,他的创新意识表现地较为明显。身为明皇室贵族的他,想恢复旧朝而不得已,曾一心向皇家问赏心未果的他,,把自己的一生都寄托在绘画之上。他的山水画自由纵恣,灵动活泼。石涛对于中国画的贡献,不仅在笔墨技法创新上,方面很多,而本文主要研究的是创新方法。 本研究运用了图像学、探索性研究方法,在其艺术思想及绘画理论的基础上,结合着他各个阶段的作品分析,总结出几方面关于其山水画绘画方法的创新依据。 经过研究得出以下结论:山水布局章法上之新在于“截断法”的运用,截取自然山川中优美或打动自己的景色来描绘;在意境方面,他把山川与大海相比拟,画面呈现出前所未有的浩瀚气势;他认为画不是为诗而作,而是触景深情后画的诗。石涛绘画以墨著名,墨是表现氤氲之气的,气又是石涛胜过诸大家之处,怎样用墨法表现氤氲之气是他创新的关键点;在笔法上又分别从独特的点染、皴、圈法等几个方面表现:石涛创造了“拖泥带水皴”、“大披麻皴”、点是石涛画作的标志,大多作品都是满纸苔点,但他并不是随意乱点,也不是为了点而点、圈作为石涛艺术的秘密,也是一种表现画面中形象的一种手法,同时圈在画面中也作为一种绘画元素呈现出来;这众多的方面等都是他山水画创新方法表现之处。另外还有一些创新之处,“平头树”松树的表现方法;类似于水彩的墨法,可以称为东方的“印象派”。 此研究的意义在于绘画技法的完善与思想理论的充实,希望本文能够让读者更加全面、深入地了解石涛的绘画方法的创新。
[Abstract]:Shi Tao, one of the four monks in the early Qing Dynasty, as one of the unorthodox school members, was more obvious in his creative consciousness. He was a Ming Royal aristocrat who wanted to restore the old Dynasty. He once had a heart to ask the royal family the unfruitful man and put his life on the painting. His landscape painting was free and lively. Shi Tao's painting of Chinese painting. The contribution is not only in the innovation of ink and brush techniques, but also in the innovation method.
In this study, using the method of iconography and exploration, on the basis of his art thought and painting theory, combined with the analysis of his works at various stages, it summarizes the innovative basis of his landscape painting methods in several aspects.
Through the study, the following conclusions are drawn: the new method of landscape layout is the use of "truncated method", which intercepts the beautiful or moving scenery of natural mountains and rivers. In terms of artistic conception, he compares mountains and rivers to the sea, and the picture shows unprecedented immense momentum; he thinks that the painting is not for poetry but after the deep feeling of the scene. Shi Tao's paintings are famous for painting, ink is the expression of the Qi, Qi is Shi Tao more than all of the people, how to use the ink method to express the dense gas is the key to his innovation; in the pen method, the unique dyeing, chapped, circle method and other aspects of performance: Shi Tao created "dragging water chapped", "big chapped chapped", point is stone The symbols of the paintings are mostly full of paper and moss, but he is not random or point to point. As a secret of the art of Shi Tao, it is also a way of showing the image in the picture. At the same time, the circle is also presented as a kind of painting element; all these aspects are the innovative methods of his landscape painting. In addition, there are some innovations, such as the "flat head" pine tree's performance method, similar to the watercolor ink method, which can be called the Oriental "Impressionist school".
The significance of this study lies in the perfection of painting techniques and the enrichment of the theory and theory. It is hoped that this article can make readers more comprehensive and deeply understand the innovation of Shi Tao's painting methods.
【学位授予单位】:江苏师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J212

【参考文献】

相关期刊论文 前3条

1 刘海燕;;诗为画中景 画是诗中情——品评石涛的诗与画[J];美术大观;2011年08期

2 周怡;感觉的联通与绘画的偏离——关于石涛的审美观[J];齐鲁艺苑;2001年01期

3 袁承志;从石涛看中国画的笔墨精神[J];西南师范大学学报(人文社会科学版);2001年02期



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