《六象》抽象语言探索

发布时间：2018-05-23 20:53

  本文选题：抽象 + 青绿　； 参考：《上海师范大学》2017年硕士论文

【摘要】：我以对中国书画的欣赏和借鉴为因缘,进行我个人的油画创作,主要是对色彩语言与构图等方面的装饰化的探索。我的创作题目是《六象》。“大象无形”,在创作过程中,对于画面中的物象,我抽离掉具体形象,以抽象处理为主,进行绘画语言的探索。而画面语言,首先以色彩上的装饰化处理为重点,其次注重构图布局,再次注意油画材质本身的质感与笔触对比。我把个人油画创作中的抽象化处理,例如把物象改造成为自己心象的、既合理又合乎一定美感法度的手法称做装饰化处理。而这个装饰化,不是一般意义上常见的装饰画概念,而是我内心的一种诗意的外化或说是感情和感触的视觉化呈现。我个人首先从欣赏者的角度来取法青绿山水的装饰意味,从构图安排上,色彩的装饰效果上,都得到了很大的启发。我尝试将所看与所得运用在油画创作上,尤其是风景画的创作中,寻求一种在写生基础上的、色彩和构图都追求平面化和装饰化、简单里蕴藏丰富的艺术品质。我以风景色彩写生为创作基础,以避免后期进行抽象处理的作品成为无缘之水,无本之木。期间参考中国画当中的青绿山水的色彩处理效果,进行画面语言的色彩试验,逐渐使创作走向抽象,使之具有装饰之美。我在中国传统书法上也吸收了一部分营养。具体到视觉元素上,为:取其空间安排,取其线条的扭转与力量感,化为油画语言,例如笔触上的一些尝试,等等。书法用笔里本来即有自己的旋律和节奏,我在油画作品里,也力求在笔触上,色块对比上具备书法带给我的这种感觉。我将自己学习绘画以来的油画写生与创作的技术积累,借鉴中国书画对画面的处理方式和效果,用色彩与点线面等绘画元素,以有形之笔,写抽象之美,并试图抒发内心的诗意。
[Abstract]:Based on the appreciation and reference of Chinese calligraphy and painting, I have made my own oil painting creation, mainly to explore the decoration of color language and composition. The title of my creation is six Elephants. "Elephant invisible", in the creative process, for the picture of the image, I pull away from the specific image, mainly to abstract processing, painting language exploration. The picture language, first of all, focus on the color of decorative processing, and then pay attention to the composition of the layout, again pay attention to the texture of the oil painting material and brush strokes contrast. I call the abstract treatment of personal oil painting, such as transforming the object image into one's own mind image, which is both reasonable and in accordance with a certain sense of beauty. This decoration is not a common concept of decorative painting in general sense, but a poetic externalization or visual representation of feelings and feelings in my heart. I first from the perspective of the viewer to learn the decoration of green landscape, from the composition of the arrangement, color decoration effect, have been a lot of inspiration. I try to apply what I see and get in oil painting, especially landscape painting, to seek a kind of painting on the basis of painting, color and composition of the pursuit of flatness and decoration, simple contains rich artistic quality. I use landscape color sketching as the basis of creation to avoid the late works of abstract processing into the water, no wood. During the period of reference to the Chinese painting in the green landscape color treatment effect, the screen language color experiment, gradually make the creation to be abstract, so that it has the beauty of decoration. I also absorbed some nutrients in traditional Chinese calligraphy. Specific to the visual elements, for: take its space arrangement, take its lines of twist and sense of strength, into oil painting language, such as some attempts on strokes, and so on. Calligraphy pen originally has its own melody and rhythm, I also strive in oil painting, on the strokes, color blocks on the contrast with calligraphy to give me this feeling. I have accumulated the techniques of painting and painting since I studied painting, using the treatment and effect of Chinese calligraphy and painting for reference, using painting elements such as color and dot, line and surface, and writing abstract beauty with tangible pen. And try to express the poetic meaning of the heart.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J213
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本文编号：1926344