乡村题材在中国上世纪中叶与本世纪初的意辨

发布时间：2018-05-26 04:12

本文选题：中国乡村题材绘画 + 功能性　；参考：《曲阜师范大学》2013年硕士论文

【摘要】：本文是对中国20世纪60年代与21世纪初乡村题材绘画的功能性与目的性的对比研究，并延申出乡村题材绘画在当下的意义变革的思考。文革前乡村题材绘画以“建设新中国”、描写社会新生活为己任。绘画主要是表现领袖人物考察乡村生活的情景和反映乡村现实生活，描绘地方风土人情和农村人民生活为主要题材。其主要功能是作为一种传播媒介,宣传社会主义主流思想和施政纲领,在“移风易俗”等方面起到重要的作用。而绘画的目的性是为了体现集体主义意识和社会主义新农村建设成就,反映新中国农村变革及新面貌。随着时间的推移,21世纪初乡村题材绘画发生了很大改变。中国由过去的计划经济向市场经济转型,同时伴随着西方艺术的影响，艺术家们的观念开始转向多元化、个性化、审美化。另外绘画的表现手法也更加丰富,象征手法、现实主义手法、表现主义手法、新图象等一系列绘画方式被广泛应用。乡村题材绘画的美术倾向也不再那么单一，，表现为一方面是对传统乡村题材绘画一定范围的延续；另一方面是对乡村题材绘画的个性化创作,追求新颖和强烈的视觉效果；还有一些画家是对传统风土人情的向往与感情倾注。21世纪绘画倾向的改变导致了绘画功能的转变,开始转向对乡村的封建性和落后性的批判,体现人文意识等新思想。乡村题材绘画的这种变化同时也推动着艺术家创作语言的变革。画家的意识视角和表达发生着转变,传统乡村题材为主题的绘画开始被边缘化，新时代为了更好地发展乡村题材绘画,就要变革绘画的创作观念与语言,从而推动乡村题材绘画的新发展,这些变革也是画家个体表达的诉求。
[Abstract]:This paper is a comparative study of the function and purpose of rural painting in China in the 1960s and the beginning of the 21st century. Before the Cultural Revolution, the country painting took "Building New China" as its duty to describe the new life of society. Painting is mainly to show the leader of the scene of rural life and reflect the reality of rural life, describe local customs and rural people's life as the main theme. Its main function is as a kind of communication medium, propagandizes the socialism mainstream thought and the administrative program, and plays the important role in the aspect and so on "changes the custom" and so on. The purpose of painting is to reflect the collectivism consciousness and the achievements of the new socialist countryside construction, and to reflect the new rural changes and new features of the new China. With the passage of time, country painting has changed a lot in the early 21 st century. With the transition from planned economy to market economy in the past, and with the influence of western art, the concept of artists began to change to diversification, individualization and aestheticization. In addition, the expression of painting is more abundant, symbolism, realism, expressionism, new images and a series of painting methods are widely used. The art tendency of rural painting is not so single, which is the continuation of traditional rural painting on the one hand, the individuation of rural painting on the other hand, and the pursuit of novel and strong visual effect. There are also some painters who yearn for traditional customs and feelings. The change of painting tendency in the 21st century leads to the change of painting function, and begins to turn to criticizing the feudalism and backwardness of the countryside, embodying the new ideas such as humanistic consciousness and so on. At the same time, the change of rural painting also promotes the change of artist's creative language. The painter's consciousness angle of view and expression are changing, the traditional painting with rural theme as the theme is beginning to be marginalized. In order to better develop the painting of rural subject matter in the new era, it is necessary to change the creative concept and language of painting. So as to promote the new development of rural painting, these changes are also the individual expression of the artist's aspirations.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J209.2

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