探求克里姆特“装饰性”绘画语言的运用

发布时间：2018-05-26 17:14

本文选题：克里姆特 + 装饰　；参考：《山东建筑大学》2014年硕士论文

【摘要】：19世纪末的欧洲,艺术思潮充满了幻想、敏感,奥地利维也纳分离派的领袖人物：古斯塔夫·克里姆特(Gustav Klimt,1862-1918),在追求绘画主题的哲理性和艺术方式的象征性中向欧洲传统绘画提出了挑战,其艺术题材多为复杂的、敏感的人民生活,即肉体与精神上交织的痛苦与矛盾。克里姆特绘画中的实用装饰主义风格最终脱离了象征主义,走出了一条对西方传统绘画反叛的艺术道路,开辟了新的绘画领域。就一般审美意识来观察克里姆特绘画,是一些独特的图像和不同形式的组合、建构,但实质上是他在当时那个新时代、新信息、和新语言的一种充满实验性探索的历程。克里姆特绘画的装饰性,其最大的特点是在大量借鉴东方艺术元素的基础上,与西方艺术元素有机性、实验性的结合,形成象征主义装饰风格。本文主要对克里姆特绘画在色彩、线条、构图方面对其装饰语言的运用进行分析,分析其装饰语言对于绘画主题的升华具有的关键性作用,装饰语言的实验与探索对现代绘画艺术产生了深远的影响。
[Abstract]:In Europe at the end of the 19th century, the trend of thought in art was filled with illusions and sensitivities. The leader of the Viennese separatists in Austria, Gustav Klimtn 1862-1918, challenged traditional European painting in the symbolic pursuit of painting themes and artistic methods, the subjects of which were mostly complex. Sensitive people's life, that is, physical and spiritual intertwined pain and contradiction. The practical decorative style in Klimt's painting finally broke away from symbolism and opened up a new field of painting. To observe Klimt's painting in terms of general aesthetic consciousness is a combination of some unique images and different forms, but in essence it is a process of experimental exploration in that new era, new information, and new language. The most important characteristic of Klimt's decorative painting is to combine it with the western artistic elements organically and experimentally and form a symbolism decorative style on the basis of drawing lessons from the oriental art elements. This paper analyzes the application of Klimt's decorative language in the aspects of color, line and composition, and analyzes the key role of the decorative language for the sublimation of the painting theme. The experiment and exploration of decorative language have exerted a profound influence on modern painting art.
【学位授予单位】：山东建筑大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

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