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解析当前国内写实油画的画外之意

发布时间:2018-05-26 23:37

  本文选题:传统文化精神 + 画外之意 ; 参考:《河北师范大学》2013年硕士论文


【摘要】:油画作为代表西方主要艺术形式的一个画种,引入中国后,从上世纪初起,在改造社会文化的大背景下得以大力推广并对当时社会发展产生了极大的影响。在此后的一百年来,经过几代油画家的努力,,逐渐成为了我国绘画艺术的主流媒介,在形式和题材上也呈现了多元发展的局面。但在“全球化”语境下,中国油画若想竖有一帜,必须以“中国式”的独立形式来表现对世界的认知和思索。 中国传统文化精神是中国古代多元文化的经典在今天的延续,传统的审美习惯和思维方式和不可能在一段时间内被西方文化冲击的无影无踪,对油画创作仍然会产生很深的影想。因此,对中国传统文化精神的表达,无疑是油画“本土化”或“民族化”的一个重要特征。 本文通过对一百年来油画在中国的移植和成长的梳理和对中国传统文化精神特征的概括,以当前国内写实油画为研究对象,一方面探讨中国传统文化精神对中国油画的影响,另一方面则探讨写实油画与传统文化精神的关系,并进一步讨论写实画家如何将集体审美习惯融入油画创作的同时对画外之意的表达,而这一点,无疑是最具中国审美特色的人文精神。
[Abstract]:Oil painting as a representation of the main forms of art in the West, after the introduction of China, from the beginning of the last century, in the context of the transformation of social culture can be vigorously promoted and had a great impact on the social development at that time. In the following hundred years, through the efforts of several generations of oil painters, it has gradually become the mainstream medium of Chinese painting art, and has also presented a situation of pluralistic development in form and subject matter. However, in the context of globalization, if Chinese oil paintings want to stand out, they must express their cognition and thinking about the world in the independent form of "Chinese style". The spirit of Chinese traditional culture is the continuation of the classic of ancient Chinese multiculturalism today. The traditional aesthetic habit and mode of thinking can not be lost in a certain period of time when the western culture shocks them. Oil painting will still have a very deep impression. Therefore, the expression of the spirit of Chinese traditional culture is undoubtedly an important feature of "localization" or "nationalization" of oil paintings. In this paper, through the transplantation and growth of oil painting in China in the past 100 years and the summary of the spirit characteristics of Chinese traditional culture, taking the domestic realistic oil painting as the research object, on the one hand, it discusses the influence of the Chinese traditional culture spirit on the Chinese oil painting. On the other hand, it discusses the relationship between realistic oil painting and the spirit of traditional culture, and further discusses how realistic painters integrate their collective aesthetic habits into oil painting creation and at the same time express the meaning beyond painting, and this point, Is undoubtedly the most Chinese aesthetic characteristics of the humanistic spirit.
【学位授予单位】:河北师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J213

【参考文献】

相关期刊论文 前2条

1 王国炎,汤忠钢;论中国传统文化的基本精神[J];江西师范大学学报;2003年02期

2 包晓光;;中国传统文化精神:阶段性、转型与特征[J];学习与探索;2012年02期



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