杨家埠“同顺德”年画作坊研究

发布时间：2018-05-27 09:31

本文选题：杨家埠 + “同顺德”画店　；参考：《浙江理工大学》2013年硕士论文

【摘要】：山东省潍坊市“同顺德”画店是清代创立并经过四代人传承下来的年画作坊，是潍县(今山东省潍坊市市区解放前的旧称)木版年画的典型代表。近年来随着区域商品经济的迅猛发展，民间年画受到一定打击，年画传承艺人寥寥无几，年画作坊也在逐渐消失。据笔者实地调研，整个杨家埠地区能制作木版年画的作坊目前不过两三家，，历史最为悠久且传承体系最为完整的仅有同顺德画店一家。本文研究的目的就是通过社会学和美术学对“同顺德”年画作坊进行分析研究，指出社会变革对潍坊“同顺德”木版年画创作的影响，探索社会和民间艺术之间的关系，以便更好的认识和理解民间美术。本文研究的内容主要有五章，第一章是绪论，主要分析本文写作的目的、研究的意义和研究的范围与方法；第二章是“同顺德”年画作坊的历史沿革，分析介绍了杨家埠木板年画的发展历史，“同顺德”家传渊源，并对艺人杨洛书进行了介绍；第三章是“同顺德”木版年画代表作品分析，主要分析了神像纸马类、喜庆类、历史故事类、戏文故事类和花鸟鱼虫类五类杨家埠木板年画，并对“同顺德”画店不同时期的木版年画作品进行了分析。第四章是“‘同顺德’年画的艺术特色分析，从构图、造型、刻版、用色四个方面进行解说，通过分析总结出同顺德艺人在民间艺术发展道路上，吸收传统，与时俱进，顺应时代发展的典型性。同时阐述了“同顺德”木版年画的工具、用料和制作工艺；第五章是“同顺德”木版年画的保护及传承，主要从加大对杨家埠木版年画的研究和整理、做好对杨家埠传承人的保护、以及加强对杨家埠木版年画立法保护这几个个方面提出了意见及建议。本文希望通过对“同顺德”年画作坊的分析和研究，可以为后人研究民间年画提供有价值的资料。
[Abstract]:Weifang City, Shandong Province "Tongshunde" painting shop was founded in the Qing Dynasty and passed down through four generations of New year painting workshop, Weixian (now Weifang City before the liberation of the old name) woodcut New year's pictures typical representative. In recent years, with the rapid development of regional commodity economy, folk New year paintings suffered a certain blow. According to the author's field investigation, there are only two or three workshops in Yangjiabu area that can produce woodblock New year paintings. Only one shop in Tongshunde has the longest history and the most complete heritage system. The purpose of this study is to analyze and study the New year painting Workshop of "Tongshunde" through sociology and fine arts, to point out the influence of social change on the creation of woodcut New year paintings of Weifang "Tongshunde", and to explore the relationship between society and folk art. In order to better understand and understand folk art. The main contents of this paper are five chapters, the first chapter is the introduction, mainly analyzes the purpose, significance, scope and methods of the study, the second chapter is the historical evolution of the New year painting workshop of "Tongshunde". This paper analyzes and introduces the development history of Yangjiabu plank New year's Pictures, the family history of "Tongshunde", and introduces the artist Yang Luoshu. The third chapter is the analysis of the representative works of "Tongshunde" woodcut New year paintings, mainly analyzing the idols, horses, jubilation, etc. Historical stories, drama stories, flowers, birds, fish and insects, five types of Yangjiabu wood New year paintings, and the "Tongshunde" shop in different periods of wood-style New year paintings works were analyzed. The fourth chapter is "with Shunde" the art characteristic analysis, from the composition, the modelling, the engraving, the color four aspects carries on the explanation, through the analysis summarizes with the Shunde artist in the folk art development road, absorbs the tradition, advances with the times, Conform to the typical development of the times. At the same time, the paper expounds the tools, materials and production techniques of "Tongshunde" woodplate New year Pictures. The fifth chapter is the protection and inheritance of "Tongshunde" woodplate New year Pictures, mainly from increasing the research and arrangement of Yangjiabu woodplate New year Pictures. The author puts forward some suggestions and suggestions on how to protect the inheritors of Yangjiabu and how to strengthen the legislative protection of Yangjiabu woodblock paintings. This paper hopes to provide valuable materials for future generations to study folk New year paintings through the analysis and study of the New year painting Workshop of Tongshunde.
【学位授予单位】：浙江理工大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J218.3

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