虚谷花鸟画形式美研究

发布时间：2018-05-27 19:27

本文选题：虚谷 + 花鸟画　；参考：《西安美术学院》2014年硕士论文

【摘要】：本文主要针对虚谷的花鸟画进行研究，虚谷是晚清海上画派的重要人物之一，他的画作以其独有的特点和风格，在中国画领域独树一帜，对中国画的发展产生了深远的影响。花鸟画是虚谷画作中的艺术精品，因此从花鸟画的形式美的方面入手，试图把虚谷花鸟画中蕴含的形式美的法则进行一番梳理。从而能更好的把握和理解虚谷的花鸟画，并通过虚谷花鸟画对晚清花鸟画艺术进行更深层次的分析和探索，以点及面以求对中国画传统绘画艺术的形式美及审美价值观有一个更深刻的认识，很有研究的必要。全文共有五个章节：第一章介绍了海上画派的兴起及历史背景，这一流派的绘画风格。从历史发展的角度考察海上画派在国画发展中的重要地位，及突出的贡献。从而引出虚谷大师，简单梳理了虚谷的生平及经历，这些对虚谷绘画都产生了不可磨灭的影响。简单介绍虚谷绘画的整体特色及风格形成的艺术渊源，和他自己对绘画高超的领悟能力，，对国画的热爱及对国画的发展做出的重要贡献。第二章关于形式美，通过对形式美概述研究发现，形式美大致分为两大类：一种是外在物象的感官形式美；另一种是内在物象精神美的追求。第三章是本文的重点，将从虚谷花鸟画形式美特点分析：图物寓志的构图形式、富有节奏的笔触形式、尚神尚韵的艺术追求、着色清艳的形式美感、整体和谐精神美的传达五个方面进行分析。从形式美的角度去考察花鸟画这一类型画作。试图从形式美和哲学多面的角度去体悟花鸟画所蕴含的深刻意蕴。第四章，力图通过对虚谷花鸟画形式美的继承与创新，从中国画发展的历史中去把握虚谷花鸟画的重要贡献以及他的地位和对后人带来的启发和开创之功。
[Abstract]:This article mainly studies the flower and bird painting of the Xiu Gu, which is one of the important figures of the late Qing Sea painting school. His paintings are unique in the field of Chinese painting with their unique characteristics and style, and have a profound influence on the development of Chinese painting. Flower and bird painting is the fine art in the painting of the empty valley, so from the aspect of the formal beauty of the flower and bird painting, this paper tries to sort out the rules of the form beauty contained in the painting of the flower and bird in the virtual valley. In order to better grasp and understand the flower and bird painting of the virtual valley, and through the flower and bird painting of the late Qing Dynasty to carry out a deeper analysis and exploration of the art of flowers and birds, It is necessary to have a deeper understanding of the formal beauty and aesthetic values of traditional Chinese painting art. There are five chapters in this paper: the first chapter introduces the rise and historical background of sea painting, the painting style of this school. From the perspective of historical development, this paper examines the important position and outstanding contribution of the sea painting school in the development of traditional Chinese painting. Thus leading to the virtual valley master, simply combing the life and experience of the virtual valley, these painting have an indelible impact on the virtual valley. This paper briefly introduces the overall characteristics and artistic origin of the painting style, and his own superb understanding of painting, his love of traditional Chinese painting and his important contribution to the development of traditional Chinese painting. The second chapter is about the beauty of form. It is found that the beauty of form is divided into two categories: one is the sense beauty of external object; the other is the pursuit of spiritual beauty of internal object. The third chapter is the focal point of this paper. It will analyze the characteristics of the formal beauty of the flower and bird painting in the virtual valley: the form of composition of pictures and objects, the form of rhythmic strokes, the artistic pursuit of still spirit and still rhyme, the aesthetic sense of form of coloring and colourful. The whole harmonious spirit beauty conveys the five aspects to carry on the analysis. From the point of view of formal beauty to investigate the flower and bird painting this type of painting. This paper tries to understand the profound implication of flower and bird painting from the angles of formal beauty and philosophy. The fourth chapter, through inheriting and innovating the formal beauty of the flower and bird painting of the virtual valley, tries to grasp the important contribution of the flower and bird painting of the virtual valley from the history of the development of Chinese painting, as well as his position and the inspiration and pioneering work brought to the later generations.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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