恽南田《南田画跋》研究

发布时间：2018-05-27 21:14

本文选题：恽南田 + 南田画跋　；参考：《云南师范大学》2013年硕士论文

【摘要】：恽南田是清初著名的山水、花鸟画家，他与清初“四王”、“吴历”并称为清初六大家，集中反映了他绘画思想的《南田画跋》，是他长期从事山水、花鸟画创作的经验总结。在汗牛充栋的画论著作中，是一部出色之作，有不少精辟的见解。本文结合南田所处的社会历史背景、他的生平、师承关系，以及作品方面来探析他的绘画理论思想，其中，在对待传统与创新的问题上，颇有新意，对后世影响很深，他既师法古人，又师法“造化”，推崇一种“非古非今、洗脱畦径”的艺术风格，以及他对中国文人传统和笔墨在绘画当中的应用也有很高的价值，追求一种“笔中之笔，墨外之墨”绘画境界，体现了他对“意”、“情”、“境”等方面的追求，形成了“逸”的绘画境界，，这些都体现了他终生对艺术高雅格调的追求，对于研究我国绘画思想史和美学史都有重要的价值。
[Abstract]:Yun Nantian is a famous painter of landscape, flowers and birds in the early Qing Dynasty. He, together with the "four kings" and "Wu Li" in the early Qing Dynasty, is called "the six early Qing Dynasty", which reflects his painting thoughts "Nantian painting Postscript", which is a summary of his long-term experience in the creation of landscape, flower and bird paintings. It is an excellent work in the overflowing works of painting theory, and there are many incisive opinions. This article combines the social and historical background of Nantian, his life, teacher-bearing relationship, and works to explore his painting theory, in which, in dealing with the problems of tradition and innovation, there are quite new ideas, which have a deep impact on later generations. He not only imitated the ancients, but also taught the method of "creation", advocating a kind of artistic style of "not ancient and modern, eluting the trail", as well as his high value to the Chinese literati tradition and the application of pen and ink in painting, and pursuing a kind of "pen in the pen". The painting realm of the ink outside the ink reflects his pursuit of "meaning", "emotion", "boundary" and so on, and forms the painting realm of "ease", which reflects his pursuit of artistic elegance all his life. For the study of the history of Chinese painting ideology and aesthetic history have important value.
【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205

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