用弗洛伊德潜意识理论解析艺术创作过程

发布时间：2018-05-27 23:07

本文选题：潜意识 + 个人经历　；参考：《首都师范大学》2013年硕士论文

【摘要】：本文围绕工笔人物画创作风格语言的形成探索,对个人绘画形象语言形成过程进行反思。通过对实验过程进行深度分析发现所显现出来的问题和实验因素与心理学中的弗洛伊德潜意识理论相关联。从而引发自己从弗洛伊德潜意识角度来研究此过程,并作为个人绘画语言的探索课题。关于潜意识与艺术创作关系的探讨,在此仅作为个案的研究。工笔人物画毕竟是中国传统绘画艺术发展至今的优秀画种,以工笔画形式去实现自己的科研课题,文中通过对中国绘画和西方绘画所显现的潜意识因素进行对比分析,以及对当代绘画中沿用和保留的一些传统审美规律所显现的潜意识分析,解析弗洛伊德潜意识理论在艺术作品中的显现。在我的论文写作过程之中,遇到的一些问题,利用潜意识理论对自我创作过程进行解析,但是我无法意识到自己的潜意识,这一理论支持是否能成立?就我的疑惑请教了北京师范大学心理学院著名心理学专家李庆安教授,他解释道：“在绘画过程中,自身是不会意识到潜意识的存在的,它潜在的存在于个人艺术实践过程中,在个人的艺术创作过程中可以看出潜意识一直发挥着重大的作用；潜意识是不能用语言表达清楚的,而是在做的过程中显现的。”反思我的课题实验过程,在导师的引导和探讨下将其梳理成以下三个阶段；第一阶段论述写生向创作的转化。第二阶段论述风格化语言符号形象的探索过程。其探索步骤：首先,利用弗洛伊德心理学中的潜意识原理,用文字罗列出从幼年到成年印象深刻的事件、人物,借以分析世界观形成期对典型性事物或形象的记忆,并筛选能够形成为视觉形象的事物进行创作描绘。其次,初步视觉形象的寻找及其形成过程。最后是偶发形象的显现及最终形象语言的提炼及其形成。第三阶段论述个人风格化形象语言融入个人认知的社会生活与创作主题的关联。通过对潜意识因素相关领域的深入了解,以及艺术家、心理分析学家等的相关讲述、观点,汇聚在潜意识里的个体经验直接影响了作者的创作思维来源。无论作品呈现的是以何种形态出现,自娱的、无逻辑关系的甚至是荒诞的,手法是抽象或写实的,与画家本人的潜意识因素反应有直接的关联。反思个人创作思维和个性化语言的训练与形成过程,分析过往生活经历的记忆等内在因素形成的根源,所创造的形象语言,与自身的成长经历和性格爱好取向等背景因素有关联。结合自身的创作过程,探寻在个人风格化形象语言形成过程中的潜意识因素的显现,进而为创作语言的形成成因提供一定的理论支持。
[Abstract]:This paper explores the formation of the language of the creation style of the meticulous figure painting and reflects on the formation process of the language of the personal painting image. Through the in-depth analysis of the experimental process, it is found that the problems and experimental factors are related to Freud's subconscious theory in psychology. Therefore, it causes oneself to study this process from Freud's subconscious point of view, and as an exploration subject of personal painting language. The discussion on the relationship between subconscious and artistic creation is only a case study. After all, meticulous figure painting is an excellent painting category in the development of Chinese traditional painting art so far. In the form of fine brushwork painting, one can realize one's own scientific research task. In this paper, the subconscious factors that appear in Chinese painting and western painting are compared and analyzed. And the subconscious analysis of some traditional aesthetic laws used and preserved in contemporary painting to analyze the manifestation of Freud's subconscious theory in the works of art. In the process of writing my thesis, some problems encountered, using subconscious theory to analyze the process of self-creation, but I can not realize their subconscious, can this theory support? I asked Professor Li Qingan, a famous psychology expert at the School of Psychology of Beijing normal University, for my doubts. He explained, "in the process of painting, one does not realize the existence of the subconscious, it is latent in the process of individual artistic practice." In the process of individual artistic creation, we can see that the subconscious has always played a significant role; the subconscious can not be expressed clearly in words, but is manifested in the process of doing. " Rethinking the experiment process of my subject, combing it into the following three stages under the guidance and discussion of my tutor; the first stage discusses the transformation from sketch to creation. The second stage discusses the exploration process of stylized language symbol image. The steps of its exploration: first, using the principle of subconscious mind in Freud psychology, to list in words the events and characters that are impressive from infancy to adulthood, so as to analyze the memory of typical things or images during the formation of the world view. And screening can be formed for the visual image of things for creative portrayal. Second, the initial visual image of the search and its formation process. Finally, the appearance of accidental image and the extraction and formation of final image language. The third stage discusses the relationship between personal stylized image language and the theme of personal cognition. Through the in-depth understanding of subconscious factors related fields, as well as the related narration of artists, psychoanalysts and so on, views and individual experiences gathered in the subconscious have directly affected the author's source of creative thinking. No matter what form the work presents, it amuses itself, has no logical relation or even is absurd, the technique is abstract or realistic, and it is directly related to the reaction of the painter's subconscious factor. Reflecting on the training and forming process of personal creative thinking and individualized language, analyzing the root causes of the formation of internal factors such as memory of past life experiences, and creating the image language. Related to their own growth experience and personality preference and other background factors. Combined with its own creative process, this paper explores the appearance of subconscious factors in the forming process of personal stylized image language, and then provides certain theoretical support for the formation of creative language.
【学位授予单位】：首都师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【共引文献】