论中国山水画与现代设计相结合的逻辑

发布时间：2018-05-28 12:27

本文选题：传统 + 山水画　；参考：《西安美术学院》2014年硕士论文

【摘要】：本论文分别对中国山水画和现代设计的观念、内容要素进行对比、分析研究，，旨在找出其形而上和形而下的差异性和具体可衔接的路径、通道及方法，最终能在技术层面来引导中国山水画的实践创作，由此达到提高传统山水画的现代意识以符合现代人的审美趣味。第一章对本文论述的目的、意义和本课题的研究现状以及其的研究的创新处、方法作了简要的分析和概述，第二章从文化根源出发阐述了中国山水画和现代设计的两种思维方式的差异性和兼容性，接着在第三章中分别对双方的核心内容进行概述，文章的第四章论述双方在宏观思想上和微观技术上嫁接的逻辑、路径及方法。第五章的结语部分提出了中国山水画对现代设计理论在宏观和微观上嫁接的逻辑、路径及方法需要目前中国画家继续不断的深层次探索和实践检验。论文的研究目的是希望在山水画的实际创作中，现代意识更加清晰，在兼具继承中国的文化传统、民族特色的基础上创造出符合时代审美的作品。
[Abstract]:This paper compares the concepts and content elements of Chinese landscape painting and modern design, analyzes and studies the metaphysical and metaphysical differences and specific paths, channels and methods that can be connected. Finally, it can guide the practical creation of Chinese landscape painting at the technical level, so as to improve the modern consciousness of traditional landscape painting in order to meet the aesthetic taste of modern people. The first chapter gives a brief analysis and summary of the purpose, significance and research status of this subject, as well as its innovation and methods. The second chapter expounds the difference and compatibility of the two ways of thinking of Chinese landscape painting and modern design from the root of culture, and then summarizes the core contents of both sides respectively in the third chapter. The fourth chapter discusses the logic, path and method of grafting in macroscopic thought and micro technology. The conclusion part of the fifth chapter puts forward the logic of Chinese landscape painting grafting on the macro and micro aspects of modern design theory, the path and method need to continue the deep exploration and practice test of Chinese painters at present. The purpose of this paper is to create works in accordance with the times on the basis of inheriting Chinese cultural tradition and national characteristics in the actual creation of landscape painting.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

【参考文献】