当代新波普艺术的视觉语言研究

发布时间：2018-05-28 16:31

本文选题：新波普艺术 + 视觉语言　；参考：《江南大学》2015年硕士论文

【摘要】：新波普艺术产生于上世纪六十年代中期,是对波普艺术的衍生发展,是西方一场重要的艺术运动,代表了流行和大众化的发展趋势。新波普艺术以其鲜亮色彩,夸张怪诞的造型,将通俗文化及日常生活用品推向了至高无上的艺术殿堂,扩大了艺术本身的空间,也增添了更多的艺术可能性,具有深远的影响。本文首先围绕新波普艺术展开,对新波普艺术的产生与发展进行了详细解析,并且具体的阐述新波普艺术中极具代表性的人物以及其题材的选择方向,目的是为了揭示艺术家的创作意图与心理,突出新波普艺术大众化的特征。其次,新波普艺术摆脱了传统艺术的束缚,呈现了多样化的视觉语言,它充分的运用图案符号和色彩符号的形式语言,通过现成品的艺术再现、机械复制、拼贴集成等表现手法,展现出新的视觉文化,拉近了艺术与生活的距离。通过对具体案例的深入研究,分析其视觉语言的独特性。第三,新波普艺术的视觉语言在生活中的运用主要体现在波普设计中,设计作为一种文化现象,对艺术的吸收融合满足了消费时代消费者的需要,本文将新波普艺术细化到各个设计领域中,在具体的设计案例中展现新波普艺术视觉语言的重要性。最后,回归到当代中国,中国艺术家汲取并借鉴新波普艺术的视觉语言,结合自身所处的历史时代背景,形成了中国式的波普艺术,并创造出具有中国波普意味的视觉语言,通过并置、弱化艺术技巧、艳丽色彩倾向的表现形式,最终体现中国波普的文化内涵,为当代中国的绘画提供新的视觉表现形式。在视觉文化高速发展的今天,本文对新波普艺术的视觉语言及其影响作了深度的剖析,在理论方面对新波普艺术的表现形式做了补充,同时也为当代新波普艺术的研究提供了新的视角。
[Abstract]:New pop art emerged in the middle of 1960s, it is a derivative development of pop art, is an important art movement in the West, and represents the trend of popular and popular development. New pop art with its bright color, exaggerated and grotesque shape, popular culture and daily necessities to the supreme art palace, expand the art itself space, but also added more art possibilities, with far-reaching influence. Firstly, this paper focuses on the new pop art, analyzes the emergence and development of the new pop art in detail, and elaborates the representative characters and the choice direction of the subject matter in the new pop art. The purpose is to reveal the artistic intention and psychology of the artist and to highlight the characteristics of the popularization of the new pop art. Secondly, the new pop art has got rid of the bondage of the traditional art, has presented the diversified visual language, it fully uses the pattern symbol and the color symbol form language, through the present finished product art reproduction, the mechanical reproduction, Collage integration and other means of expression, showing a new visual culture, drawing the distance between art and life. Through the in-depth study of specific cases, the uniqueness of its visual language is analyzed. Thirdly, the application of the visual language of the new pop art in life is mainly reflected in the pop design. As a cultural phenomenon, the absorption of art meets the needs of consumers in the consumer age. In this paper, the new pop art is refined into various design fields, and the importance of the visual language of the new pop art is demonstrated in the specific design cases. Finally, returning to contemporary China, Chinese artists draw on and draw lessons from the visual language of New pop art, combine their historical background, form the Chinese style of pop art, and create a visual language with Chinese pop meaning. Through juxtaposition, weakening the artistic skill, the expressive form of the bright color tendency, finally embody the cultural connotation of the Chinese pop, provide the new visual expression form for the contemporary Chinese painting. Today, with the rapid development of visual culture, this paper makes a deep analysis of the visual language and its influence of the new pop art, and complements the expression form of the new pop art in the theoretical aspect. At the same time, it also provides a new perspective for the study of contemporary New pop art.
【学位授予单位】：江南大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J205

【参考文献】