古典绘画在审美上技法上对现代绘画的影响
发布时间:2018-05-29 17:43
本文选题:审美规律 + 古典绘画 ; 参考:《湖南师范大学》2013年硕士论文
【摘要】:就油画而言,构成绘画语言的根本要素有三个基本点:造型、色彩、材料技法。造型和色彩已被我国众多的艺术家、美学家进行全方位的探索和实践,并被社会接受和肯定,为造型语言和色彩语言这两大系统审美价值的实现,技法材料作为载体在绘画中长期扮演着间接地技术角色。历史的原因,中国油画教育是建立在对欧洲近300年来形成的“直接画法”体系之上发展至今的,而对欧洲优秀传统绘画发展有2000年历史的“间接画法”体系则缺乏足够的认识和借鉴。 现代油画是以古典油画乃至油画史前的一些绘画技法为基础发展起来的。现在很多画家已经放弃了各种传统上严谨的油画技法,因此缺乏可靠地技术基础,通常,人们在使用各种制作方法时,既缺乏有关的材料知识,又缺乏鉴别判断能力。有些画家甚至担心,假如过分地关心技术,他们的艺术个性就会受到损害。其实,精神的自由是以可靠地技术为基础的,有关油画的技法材料,对所有油画家来说,不管他属于哪一个画派,都应以最好的方式正确地使用技法材料,这样才能奠定发展个人风格的牢固基础,同时也才能创作出更加精美,更加耐久的艺术作品来。 中国引进西方美术教育近一个世纪,造型和色彩的教学在渐成体系,材料技法技术手段却一直没有在教学中重视,我们习惯地把技法材料看做是艺术的物质载体和过程,是日常积累起来的技术技能经验,自然把对技法材料语言规律的研究放在形而下的位置上。我们的专业处于初级阶段,首先面临的问题是重新客观地、深刻地认识欧洲传统绘画语言的发展规律,调整我们的艺术思维,以审美与技术为主线,贯穿起传统艺术和现代艺术。 鉴于现代油画创作及教学中对欧洲古典油画审美上技法上方面研究的不足和美术界普遍存在的轻视油画技法材料的现状,本文从欧洲古代大师及其优良传统出发就古典油画的功能、审美、材料、形式、技巧、精神传达等方面分析古典油画,以及它对现代绘画产生的影响。
[Abstract]:As far as oil painting is concerned, the basic elements of painting language have three basic points: modeling, color and material technique. Modeling and color have been explored and practiced by many artists and aestheticians in our country, and accepted and affirmed by the society, so as to realize the aesthetic value of modeling language and color language. As a carrier, technical materials play an indirect role in painting. Historical reasons, Chinese oil painting education is based on the "direct painting" system formed in Europe for nearly 300 years. However, there is a lack of understanding and reference to the "indirect painting" system, which has a history of 2000 years. Modern oil painting is based on some painting techniques of classical oil painting and even oil painting. Now many painters have given up all kinds of traditional rigorous oil painting techniques, so they lack reliable technical foundation. In general, when people use various production methods, they lack the knowledge of relevant materials and the ability to distinguish and judge. Some painters even worry that their artistic individuality will be damaged if they care too much about technology. As a matter of fact, spiritual freedom is based on reliable technology. For all oil painters, no matter what kind of painting they belong to, they should use technical materials correctly and in the best way possible. In order to lay a solid foundation for the development of personal style, but also to create more beautiful, more durable works of art. China has introduced western art education for nearly a century, and the teaching of shapes and colors is gradually becoming a system, but the technical means of material techniques have not been attached importance to in teaching. We are used to seeing technical materials as the material carriers and processes of art. Is the daily accumulation of technical skills experience, naturally put the study of the language laws of technical materials in the form of a lower position. Our major is in the primary stage. The first problem we face is to understand the law of the development of traditional European painting language objectively and profoundly, to adjust our artistic thinking, and to take aesthetics and technology as the main line. Run through traditional art and modern art. In view of the lack of research on the techniques and techniques of European classical oil painting in modern oil painting creation and teaching and the present situation of disdain of oil painting technical materials in the field of fine arts, This paper analyzes the function, aesthetics, material, form, skill and spirit communication of classical oil painting from the point of view of ancient European masters and their fine traditions, as well as its influence on modern painting.
【学位授予单位】:湖南师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J213
【参考文献】
相关期刊论文 前1条
1 张元;材料与表现初探——工作室教学思路与教学方式[J];美术研究;2001年01期
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