克里姆特绘画中的装饰性研究

发布时间：2018-05-30 09:02

本文选题：克里姆特 + 新艺术运动　；参考：《合肥工业大学》2014年硕士论文

【摘要】：随着人类不断进化、时代不断变迁，绘画从原始的记录工具演变为一门独立的艺术形式，并在社会背景的影响下人们的审美观念及审美需求也发生了巨大的转变，作为艺术主体之一的艺术家（艺术主体可分为艺术家和观赏者）也在不断的摸索着更新着绘画的表现形式、创作材料和颜色搭配等。使绘画不断地从一个巅峰被推向另一个巅峰。在艺术的发展过程中，出现了很多意义重大的转折点。在19世纪下半叶到20世纪前期，是范围波及绘画，服装，建筑等领域，其风格又紧接着在装饰艺术运动中被进一步升华的新艺术运动中出现的独特艺术风格，在艺术发展史上具有重要意义。这一时期，“装饰性”得到了各业界的广泛关注。克里姆特是该时期绘画的代表之一，其绘画具备了这个时期独有的“符号化”“几何化”“自由化”“平面化”特征。克里姆特出生在一个金饰雕刻家的家庭，自幼显示出过人的艺术才华并在14岁时进入学院学习美术。其绘画风格经历了从早期自然主义到中期突出的几何装饰性风格，再到后期的喜用东方图腾并且笔触跳跃、颜色绚丽的东方风格。他运用着装饰性的色彩、具设计感的构图与元素、昂贵的材料等特有的表现手法，为我们展现出那个时代架上绘画的另一番景象。本文联系自身所学专业，以这一时期的代表画家克里姆特的绘画为例，，主要研究“装饰性”与架上绘画相互融合时在空间构成上的表现以及装饰性元素的运用。论文首先阐述课题的研究概况，其次综述了何为装饰艺术，以及世纪交替时的背景，再从空间构成、色彩视觉、材料等方面来研究克里姆特绘画的装饰性是如何表现当时的时代特征，以及他绘画中的装饰性对当今艺术发展的启示。最后通过以上的分析研究，结合自己的作品，总结对“装饰性”手法的理解与感悟。
[Abstract]:With the continuous evolution of human beings and the changing times, painting has evolved from a primitive recording tool to an independent art form. Under the influence of the social background, people's aesthetic concepts and aesthetic needs have also undergone tremendous changes. As one of the art subjects, the artists (the art subjects can be divided into artists and appreciators) are constantly groping to update the form of expression of painting, creative materials and color collocation and so on. To push a painting from one peak to another. In the development of art, there are many significant turning points. From the second half of the 19th century to the early 20th century, it was the unique artistic style that spread to the fields of painting, clothing, architecture, and so on, followed by the new art movement, which was further sublimated in the decorative art movement. It is of great significance in the history of art development. This period, "decorative" has been widely concerned by the industry. Klimt is one of the representatives of painting in this period. His painting has the unique characteristics of symbolization, geometry, liberalization and planarization. Klimt was born into a golden sculptor's family, showed great artistic talent from an early age and entered the academy at the age of 14 to study fine arts. His painting style has experienced from the early naturalism to the mid-stage prominent geometric decorative style, then to the late love to use the Oriental totem and strokes jump, colorful Oriental style. His use of decorative colors, design sense of composition and elements, expensive materials and other unique expression techniques, for us to show us a different picture of the frame of that era. In this paper, with the example of the painting by Klimt, a representative painter in this period, this paper mainly studies the expression of space composition and the application of decorative elements when "decorative" and "frame painting" merge with each other. The paper first describes the research situation of the subject, then summarizes what is the decorative art, and the background of the turn of the century, and then from the space composition, color vision, Materials and other aspects to study the decorative painting Klimt how to express the characteristics of the times, as well as the decorative painting in his painting to the development of contemporary art enlightenment. Finally, through the above analysis and research, combined with their own works, summed up the "decorative" means of understanding and understanding.
【学位授予单位】：合肥工业大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

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