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当代工笔人物画艺术语言与发展现状的思考

发布时间:2018-05-30 14:20

  本文选题:语言 + 民族性 ; 参考:《天津美术学院》2017年硕士论文


【摘要】:中国工笔人物画是中国传统绘画艺术中的独特艺术形式。随着近年来中国经济、文化的繁荣和西方文化思潮的涌入,促进工笔人物画向着多元化发展,在创作理念、绘画语言、材料技法等诸多方面体现出新的面貌。本文第一部分从当代工笔人物画的独特语言形式入手,通过对中国绘画基本元素,如线条、色彩、构图等方面的解读,引出第二部分当代工笔人物化发展的现状的主要表现,如表现题材的多元化、风格面貌的时代化和符号化现象等。第三部分着重解释造成这一现状的诸多因素。经过前文的研究论述,最后提出笔者对当代工笔人物画前景、方向的思考,并得出结论:当代工笔人物化的发展始终应该保持民族性、时代性和人文关怀。透过继承与吸收寻找当代工笔人物画的正确方向。
[Abstract]:Chinese meticulous figure painting is a unique art form in Chinese traditional painting art. With the prosperity of Chinese economy and culture and the influx of western cultural thoughts in recent years, the fine brushwork figure painting has become more and more diversified, and has shown new features in many aspects, such as creative idea, painting language, material technique and so on. The first part of this paper starts with the unique language form of contemporary meticulous figure painting, through the interpretation of the basic elements of Chinese painting, such as lines, colors, composition and so on, leads to the main performance of the second part of the development of contemporary meticulous figure painting. Such as the diversity of the performance of the subject matter, style of the face of the times and symbolization of the phenomenon. The third part emphatically explains the many factors that cause this present situation. In the end, the author thinks about the prospect and direction of contemporary meticulous figure painting, and draws the conclusion that the development of contemporary meticulous figure painting should always maintain national, contemporary and humanistic concern. Through inheritance and absorption to find the correct direction of contemporary meticulous figure painting.
【学位授予单位】:天津美术学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J212

【参考文献】

相关期刊论文 前1条

1 何兴泉;传统的超越——由任伯年、徐悲鸿的艺术论近代中国人物画的变革[J];美术观察;2003年06期



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