论工笔花鸟画的诗意性
本文选题：工笔花鸟画 + 意境 ； 参考：《云南师范大学》2015年硕士论文
【摘要】：工笔花鸟画作为一门画科,早在唐代时期就已经独立出来,是我国传统绘画中重要的一个组成部分,花鸟画的最高峰当然是属于两宋时期了。当时的皇帝宋徽宗对工笔花鸟画的发展做出了极其重要的贡献,在他精心领导和创办的宣和画院里,聚集了很大一批当时中国画坛上拔尖的人物,他们形成一股绘画浪潮,不断去探索和创新中国画,他们的举动无疑推动了整个工笔花鸟画欣欣向荣,可想而知在当时也是一股热潮,注重写生和注重自觉创作是工笔花鸟画最明显的特点之一,在工笔花鸟画的形式语言中另外一个特点应当是作品的意境,此意境必然是赋予了朦胧的诗意性。本篇论文的核心思想就是研究诗意性在绘画过程中的体现,怎样使一副作品富于诗意性、需要哪些构成因素并做出了具体的分析与研究,“意境”是本作者学习中国画的主旋律,因为向来就对诗词歌赋着迷,爱幻想,喜爱朦朦胧胧的仙气般的云雾,喜爱天空纯净的美,酷爱傍晚时分远山静谧的晚霞,这自然界种种的美赋予了大自然安详宁和的诗意美,也正是作者一直追求的意境。工笔花鸟画,核心字眼并非字面上的‘工’,有大部分的人对工笔花鸟画有一定的误解,如果只是觉得“工细”是主脉,那么这样的误解只会让人噗之以鼻,把你当门外汉而已。本文的核心思想停留在工笔花鸟画的诗意性上面来着实论述,通过,古文献关于中国画诗意的解读、当今工笔花鸟画不同的绘画语言和作者对工笔花鸟画中诗意性的领悟与见解,以上三个部分步步为营来阐述主题观点的合理性与重要性。工笔花鸟画并非“工细”就能称之为一副优秀的作品,我们必须抛开其表象而去发现真实,其真正值得揣摩的是其灵魂之所在,那么工笔花鸟画的灵魂到底是什么呢?在本文的中心论点中是指它的意境,这将是本文研究的重点。所有的意境都需要作者的用笔去展现。本文在大的块面去分析之后,细讲怎样通过用笔去完成诗意性,其中例举到了西方绘画与日本绘画的精华之处,通过分析,我们不难发现非本土绘画的特色无疑在今后的学习中是我们成功之路的垫脚石。
[Abstract]:Fine brushwork flower and bird painting as a painting section, as early as the Tang Dynasty has been independent, is an important part of our traditional painting, flower and bird painting of course belongs to the peak of the Song Dynasty. At that time, Emperor Huizong made an extremely important contribution to the development of meticulous flower-and-bird painting. In the Xuan he painstakingly led and founded by him, he gathered a large number of figures who were at the top of the Chinese painting world at that time, and they formed a wave of painting. They continued to explore and innovate Chinese painting, and their actions undoubtedly promoted the prosperity of the whole fine brushwork flower-and-bird painting. One of the most obvious features of meticulous flower-and-bird painting was that it was also an upsurge at that time. It was one of the most obvious features of meticulous flower-and-bird paintings that they paid attention to sketching and consciously creating. Another characteristic in the formal language of meticulous flower-and-bird painting should be the artistic conception of the works, which must be endowed with obscurity of poetry. The core idea of this thesis is to study the embodiment of poetics in the process of painting, how to make a work full of poeticism, what constitute factors and make concrete analysis and research. "artistic Conception" is the main theme of the author's study of Chinese painting, because he has always been fascinated by poetry and poetry, has always loved fantasy, love hazy clouds, love the pure beauty of the sky, love the quiet sunset of the distant mountains in the evening. The beauty of nature endows nature with the poetic beauty of serenity and tranquility, and is the artistic conception which the author has been pursuing. In meticulous flower-and-bird painting, the key word is not literally "Gongjiao". Most people have certain misunderstandings about meticulous flower-and-bird paintings. If they just think that "fine work" is the main vein, then such misunderstandings will only make people puff their noses. Just treating you like a layman. The core idea of this paper stays above the poetic nature of the fine brushwork flower and bird painting, through the interpretation of the ancient literature on the poetic meaning of Chinese painting, Nowadays, different painting languages of fine brushwork flower and bird painting and the author's comprehension and opinion of poetic character in fine brush flower and bird painting, the above three parts step by step to expound the rationality and importance of the theme viewpoint. Fine brushwork flower and bird painting is not "fine" can be called an excellent work, we must put aside its appearance and find the truth, it is really worth to guess where its soul, so what is the soul of the fine brushwork flower and bird painting in the end? In this paper, the central argument is to refer to its artistic conception, which will be the focus of this study. All artistic conception needs the author's pen to show. In this paper, after analyzing the big block surface, I discuss in detail how to use the pen to complete the poetic quality, including examples of the essence of Western painting and Japanese painting, and through analysis, It is not difficult to find that the characteristics of non-native painting will undoubtedly be the stepping stone of our success in the future.
【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J212
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